Elise Wien is a playwright who works in the genre of tender absurdism – building worlds that reflect the cruel and chaotic nature of our own, with characters who must rely on each other to survive them.
Her plays include Osher & the Infinite Curtain (Finalist, Jewish Plays Project), OTP (Finalist, O’Neill National Playwrights Conference), OBLAST (Residency, the cell theatre), [cowboy face] (Winner, Kennedy Center Mark Twain Prize for Comic Playwriting; Finalist, Leah Ryan Fund for Emerging Women Writers), and Craters, or the making of the making of the moon landing (Production, Smith College; Reading, Corkscrew Theater Festival). She has developed plays with The Workshop Theater, Ensemble Studio Theater, The Road Theatre Company, The Tank, American Lore Theater, and the Hopkins Center for...
Elise Wien is a playwright who works in the genre of tender absurdism – building worlds that reflect the cruel and chaotic nature of our own, with characters who must rely on each other to survive them.
Her plays include Osher & the Infinite Curtain (Finalist, Jewish Plays Project), OTP (Finalist, O’Neill National Playwrights Conference), OBLAST (Residency, the cell theatre), [cowboy face] (Winner, Kennedy Center Mark Twain Prize for Comic Playwriting; Finalist, Leah Ryan Fund for Emerging Women Writers), and Craters, or the making of the making of the moon landing (Production, Smith College; Reading, Corkscrew Theater Festival). She has developed plays with The Workshop Theater, Ensemble Studio Theater, The Road Theatre Company, The Tank, American Lore Theater, and the Hopkins Center for the Arts. She is a recent graduate of Boston University’s Playwriting MFA program.