Lisa Konoplisky

Lisa Konoplisky

Lisa was a recent a guest artist at University of Wyoming at Laramie School of Theatre and Dance. Her play, American Bowl, will receive a reading there in November 2022. Lisa was a contributing playwright at the Sewanee Writers’ Conference, a resident playwright at Annex Theatre Hothouse Project (Seattle), a finalist for the Chicago Dramatists’ Residency Program, an alternate selection for the Inge Theatre...
Lisa was a recent a guest artist at University of Wyoming at Laramie School of Theatre and Dance. Her play, American Bowl, will receive a reading there in November 2022. Lisa was a contributing playwright at the Sewanee Writers’ Conference, a resident playwright at Annex Theatre Hothouse Project (Seattle), a finalist for the Chicago Dramatists’ Residency Program, an alternate selection for the Inge Theatre Festival and a semi-finalist for The Ashland New Play festival. Her play, Gentle Cycle, is currently in development at the Blank Theatre in Los Angeles. She was a resident at Hedgebrook’s Vortext program on Whidbey Island. A graduate of Lafayette College, Lisa was a Thomas J. Watson Fellow at Sussex University in Brighton, England. In New York, she studied with Anthony Mannino, Jeffrey Jacobi, and Dale Worsley of Mabou Mines, as well as at Upright Citizens Brigade and The Cooper Union (photography). Lisa holds an MFA in fiction writing from Columbia College in Chicago where she taught undergraduate writing. Directing credits include Rhinoceros, True West, Stop Kiss, Hamlet, Careless Love, The Vagina Monologues, and Paradise Lost. Lisa’s plays have appeared at the Lyceum Theatre and Blue Box World (NY); Camanea Theater, Stockyards Theatres, and Speaking Ring Theater (Chicago); Theatre Limina (Minneapolis); That Uppity Theatre Company (St. Louis); and Icarus Falling (Lansing). She won Chicago’s first annual Writing and Drinking Festival, and her play was performed by The Neo-Futurists and Factory Theatre. She has taught acting in Chicago and in Madison, Wisconsin. Lisa has edited several documentary films in Los Angeles and Chicago and is currently working on a documentary about Chinese Americans in the Mississippi Delta in collaboration with Professor Stacey Lee of UW-Wisconsin/Madison. A monologue from her novel-in-progress, Original Sin, appears in Monologues By Women For Women (Heinemann, 2005).

Plays

  • Dog Park
    Two women forge a new and unexpected friendship at a local dog park. But when fear, shame, and the painful realities of life intrude, is true intimacy possible. This play is about that fear that keeps women silent about domestic abuse and about the power and limits of friendship.
  • Closer
    Late at night, in a nearly deserted office building in the city, two men from different worlds negotiate the boundaries of intimacy, love, desire and trust.
  • Straight Up
    A queer woman and a straight cis man walk into a bar...
  • Orange Crush
    Breaking up is hard to do. Especially when your lover is imaginary.
  • Heartbreaker
    This play makes no sense, yet audiences love it. Go figure. A film noir femme fatale, a midwestern private dick, a sexy pit bull and an irresistible Russian blue kitty all learn that you can't always get what you want, but you can get what you need.
  • Bullseye
    A working-class father who refuses to accept his transgender son learns the pain of the path he's chosen.
  • You're Not From Here, Are You?
    A fever dream of trauma and redemption where a queer woman and a straight man unpack their shared and individual histories.