Jasmine Brooks

Jasmine Brooks is a Boston based director and producer, whose work has been centered on being a fierce advocate for marginalized communities and celebrating Black joy. Jasmine previously worked at Company One Theatre as the Artistic Associate and NNPN Producer in Residence, and at SpeakEasy Stage as the Boston Project Coordinator. Select Directing/Assistant and Associate Directing Credits Include: Intimate Apparel (Silverthorne Theatre), Joe Turner’s Come and Gone (The Huntington, Dir. Lili-Anne Brown), Twilight: Los Angeles, 1992 (American Repertory Theatre, Dir. Taibi Magar), Bite Me (NNPN National Showcase Of New Plays), Truth Or Consequences (Fresh Ink Theatre), The Bluest Eye (The Huntington, Dir. Awoye Timpo), BLKS (Speakeasy Stage, Dir. Tonasia Jones), Period Piece (Visceral...

Jasmine Brooks is a Boston based director and producer, whose work has been centered on being a fierce advocate for marginalized communities and celebrating Black joy. Jasmine previously worked at Company One Theatre as the Artistic Associate and NNPN Producer in Residence, and at SpeakEasy Stage as the Boston Project Coordinator. Select Directing/Assistant and Associate Directing Credits Include: Intimate Apparel (Silverthorne Theatre), Joe Turner’s Come and Gone (The Huntington, Dir. Lili-Anne Brown), Twilight: Los Angeles, 1992 (American Repertory Theatre, Dir. Taibi Magar), Bite Me (NNPN National Showcase Of New Plays), Truth Or Consequences (Fresh Ink Theatre), The Bluest Eye (The Huntington, Dir. Awoye Timpo), BLKS (Speakeasy Stage, Dir. Tonasia Jones), Period Piece (Visceral Entertainment, Dir. Karen Carpenter), Wolf Play (Company One Theatre, Dir. Summer L. Williams). Jasmine holds a BFA in Theatre Arts from Boston University, School of Theatre and will be attending David Geffen School of Drama at Yale in the fall for her MFA in Directing. Visit jasminerosebrooks.com to keep up with Jasmine.

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  • This play does an excellent job of capturing the joy, pain and nuance of a family dynamic. What a lovely treat it is to experience the unique experience of Freddy/Winifred that is often not represented in the American Theatre. The words are poignant, the story is necessary and the use of of time is impactful.

    This play does an excellent job of capturing the joy, pain and nuance of a family dynamic. What a lovely treat it is to experience the unique experience of Freddy/Winifred that is often not represented in the American Theatre. The words are poignant, the story is necessary and the use of of time is impactful.

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    I had the pleasure of working on Truth or Consequences with Andrew last year and what a treat this play is. The way Andrew uses sci-fi so amplify the harm that oppressive structures impact employees is so smart. What a treat this play is!

    I had the pleasure of working on Truth or Consequences with Andrew last year and what a treat this play is. The way Andrew uses sci-fi so amplify the harm that oppressive structures impact employees is so smart. What a treat this play is!