Tim J. Lord
Tim J. Lord is a native of the prairies and suburbs of the Midwest, currently living in Brooklyn, and recently married to an exquisite woman (who’s also a brilliant director). Though based in New York, his plays are still very much rooted in the Midwest, exploring the relationships between communities and the physical landscapes they inhabit often via our shared mythologies. My characters are in conflict with...
Tim J. Lord is a native of the prairies and suburbs of the Midwest, currently living in Brooklyn, and recently married to an exquisite woman (who’s also a brilliant director). Though based in New York, his plays are still very much rooted in the Midwest, exploring the relationships between communities and the physical landscapes they inhabit often via our shared mythologies. My characters are in conflict with their world — permanent malcontents, journeyers, people who are resisting or escaping or failing to escape the fates written for them by the places that made them.
Tim has collaborated with actor, director, and Army veteran Stephan Wolfert on numerous projects. These include acting in and working as a dramaturg on Wolfert’s adaptation of Richard III; and, as a writer, Red, Black & Blue, about the experiences and exploits of African-Americans in the US Military. He is also working on a commission, Over Before We Get There, a play based on the short stories of Vietnam vet and St. Louisan Nick Corea. The play was workshopped in November 2011 and will receive a public reading in Fall 2014.
He is a regular volunteer at the 52nd Street Project which works with the kids of the Hell’s Kitchen neighborhood to introduce them to theater and art ingeneral and just the amazing power of their imaginations. He wrote “Hell’s Kitchen House of Hellish Horror” for their 2012 one-on-one plays, directed “The Showdown” by Sung Rno for the 2014 two-on-two plays, and was a Playmaking class volunteer in 2013.
In May 2013 he worked on Peloponnesus with his alma mater for the inaugural Knox College New Plays Festival. Neil Blackadder directed, and a play which, in many ways, he began writing twenty years ago finally came home.
In 2012, Fault & Fold was workshopped in two Roundtables at the Lark in New York City. Down in the face of God premiered in May 2012 with the Vagrancy in LA. In March of 2012, they also workshopped the play. Prior to that it had a Roundtable at the Lark.
In January 2009, “We declare you a terrorist…” received a reading at the Public Theater. It went on to be developed at the New Harmony Project where it was directed by Richard Hamburger and featured Bruce McKenzie, and had its world premiere as part of the 2009 Summer Play Festival at the Public in New York directed by Niegel Smith.
His play The Secret History of Caleb Caan was a part of the first ever NNPN/ Kennedy Center’s University Playwrights Workshop, where it was directed by Jasson Minnadakis and dramaturged by Mark Routhier. It wasn’t a great play but it was as great learning experience and a great opportunity to work with some supersmart theater people, most of whom were Bay Area-based.
He wrote “GEO/LOGIC” for Tiny Rhino. “Bureau of Land Management” was part of Working Theater’s 2012 Directors Salon. “Department of the Interior” was a commission for Chalk Rep’s 2010 Flash Festival and a 2011 Heideman finalist. “Montana Lovesong” was a finalist for the 2007 Heideman Award and was produced as part of their Actors Apprentice Showcase. And “Putin Play #151” was included in 300 Plays about Vladimir Putin at Rude Mechs in Austin.
Tim studied with Paula Vogel while a resident of Providence, RI, and is a graduate of the MFA Playwriting Program at the University of California, San Diego, where he saw three plays produced: Santa Ana Winds, 11 Hills of San Francisco, and Better Homes & Homelands. He also met most of the friends he plans to carry into old age there and looks forward to working with them all again.