Keelay Gipson

Keelay Gipson

Keelay Gipson is an Activist, Professor, and award-winning Playwright based in New York and hailing from Tulsa, OK. His plays include demons. (JAG Fest/Dartmouth HOP Center), The Red and the Black (Finalist; The O’Neill, Sundance Theatre Lab), #NewSlaves (Finalist; Princess Grace, The O’Neill, Seven Devils), imagine sisyphus happy (Finalist; The O’Neill, P73 Summer Residency), CRH, or the placenta play (Semi-...
Keelay Gipson is an Activist, Professor, and award-winning Playwright based in New York and hailing from Tulsa, OK. His plays include demons. (JAG Fest/Dartmouth HOP Center), The Red and the Black (Finalist; The O’Neill, Sundance Theatre Lab), #NewSlaves (Finalist; Princess Grace, The O’Neill, Seven Devils), imagine sisyphus happy (Finalist; The O’Neill, P73 Summer Residency), CRH, or the placenta play (Semi- Finalist; The O’Neill, Bay Area Playwrights Conference, AADA Main Stage Live!), Nigger/Faggot (Downtown Urban Theater Festival), The Lost Or, How to Just B (Kernodle New Play Award), What I Tell You in the Dark (Finalist; Premiere Stages at Kean University), and Mary/Stuart, a dramatic queering of Friedrich Schiller’s classic play (BAM Next Wave Festival, partnership with Wendy’s Subway and Lambda Literary). He is the recipient of a Barrington Stage Spark Grant, the NYSAF Founders’ Award, the Van Lier Fellowship at New Dramatists, as well as writing fellowships with Lambda Literary, The Amoralists, Page 73 and the Dramatist Guild Foundation. He has held residencies at the MacDowell Colony, the Cultural Affairs Department of the City of New York, the Administration of Children’s Services of the City of New York, New York Stage and Film’s Powerhouse Season at Vassar College and Yale University. His work has been developed at The Bushwick Starr, Wild Project, HERE Arts Center, Pace University, West Connecticut University, National Black Theater, Rattlestick Playwrights’ Theater, The Fire This Time Festival, Classical Theater of Harlem, and New York Theatre Workshop. He is published in The Best American Short Plays anthology by Applause Theatre and Cinema Books and 48 Hours in Harlem, Vol. 3 by Harlem9. He has taught workshops, courses and masterclasses at NYU, Pace University, Rutgers University, Fordham, and the Kennedy Center American College Theater Festival.

Plays

  • The Red and the Black
    You know that thing new couples do? Where they invite their other coupled friends to a weekend away to show off their new relationship? This play takes place in the Berkshires during one such weekend. And what was supposed to be a ritualistic coming together of friends, spirals into something much different by the weekend’s end. A meditation on the rise of New Black Conservatism, The Red and the Black toys with...
    You know that thing new couples do? Where they invite their other coupled friends to a weekend away to show off their new relationship? This play takes place in the Berkshires during one such weekend. And what was supposed to be a ritualistic coming together of friends, spirals into something much different by the weekend’s end. A meditation on the rise of New Black Conservatism, The Red and the Black toys with the notion that all skinfolk
    ain’t kinfolk.
  • #NewSlaves
    A fantasia on the criminalization and commodification of the Black Body in America, the show follows three black men from slavery to now, using the NFL Draft as a jumping off point.
  • The Lost or, How to Just B
    The Lost, Or How to Just B, tells the story of a Black boy navigating his way through the foster care system while trying to find his wings — and love — when the world tells him he has none.

    Told through hip hop and spoken word, B discovers himself through the city that raised him and the city he has never known.
  • imagine sisyphus happy
    There is no sun without shadow,
    We must know the night.
    The night is where Sisyphus keeps his joy.
    He no longer owns his plight.

    His fate is what belongs to him.
    His rock is just a thing.
    Likewise, Man silences his idols.
    When he embraces pain.

    Leave Sisyphus at the foot of the mountain!
    Leave Sisyphus to his rock!
    The...
    There is no sun without shadow,
    We must know the night.
    The night is where Sisyphus keeps his joy.
    He no longer owns his plight.

    His fate is what belongs to him.
    His rock is just a thing.
    Likewise, Man silences his idols.
    When he embraces pain.

    Leave Sisyphus at the foot of the mountain!
    Leave Sisyphus to his rock!
    The struggle is enough,
    To fill a man's empty heart.

    One must imagine Sisyphus happy,
    When building a life in Art.
    One must imagine Sisyphus happy,
    For their love of that life to start.
  • CRH (or, the placenta play)
    A group of thirty-somethings reunite after life puts a damper on their social lives. What happens next, may give them a case of indigestion. This dark comedy is a mediation on what it means to be a member of The Mooching Class amidst the Age of Trump, technology, and student loans.