Scoobi is an undocumented-law-student-love-child of the Zapatista rebellion of 1994. Petra, her mother, a former revolutionary is also undocumented. Dylan O'Reilly, is Scoobi’s ticket to citizenship. This odd trio navigates personal and political borders on the heels of Scoobie’s marriage of inconvenience to Dylan. Oh yes, Roko, the soldier-ghost of Scoobi’s soulmate is hanging out too.

Crosstown 88, a play set during an urban crosstown bus ride in the middle of the night. The driver character serves as a guide who calls out each stop along the way, and is also musician/Foley artist creating the ambient sounds of the night ride. Two lone passengers travel this nocturnal route, “Young Man” and “Woman.” What begins as a threatening, unwanted advance by “Young Man” evolves into an unlikely and surprisingly intimate friendship between the two by the time the bus ride is over. These two, despite disparities in gender, age, education and class, each expose the common challenges presented by gentrification, substance abuse, familial and romantic relationships.

A mythological-autobiography, contemporary odyssey, through latitudes of heart and mind. Odisia (the accidental existentialist) arrives at a seaside village where a meeting with Lázaro, a shark fisherman, encapsulates the contradictions of an unlikely love affair that culminates in a moment of life and death in a village by the sharkful sea.