Asif Majid

Asif Majid

I'm a scholar-artist-educator who researches, teaches, performs, and makes work at the intersection of performance and politics. Particularly, I do this in terms of devising, improvisation, and community-based participatory theatre with marginalized communities. Currently, I'm Assistant Professor of Theatre and Human Rights at the University of Connecticut, where I teach courses on playwriting, performance, and devising.

Plays

  • The Cassette Shop
    Luciar and Alé are two strangers who have an unexpected meeting in the most unlikely of places: a cassette shop. Their first conversation is weird, confusing, and complicated. However, it soon becomes clear that there is much more to their relationship than meets the eye. Before long, their shared experiences of music, magic, movement, and migration emerge, challenging who they thought they were and who they...
    Luciar and Alé are two strangers who have an unexpected meeting in the most unlikely of places: a cassette shop. Their first conversation is weird, confusing, and complicated. However, it soon becomes clear that there is much more to their relationship than meets the eye. Before long, their shared experiences of music, magic, movement, and migration emerge, challenging who they thought they were and who they're meant to be. What develops is an unanticipated relationship based on creativity, conflict, and the confluence of human existence, surprising not least Luciar and Alé, but all those who believe in the power of hope.

    An original production, The Cassette Shop is a mix of testimony, ethnopoetic, devised, and documentary theatre. It was created by a group of asylum-seeking Storytellers based in Washington, DC, a process that was facilitated by Lead Deviser Asif Majid. Hailing from countries as diverse as Iraq, Indonesia, The Gambia, Venezuela, China, and elsewhere, the group worked for over a year to create a production that is true to the experience of asylum seeking, while emphasizing the hope and hilarity that is so often such journeys. While the stories that are shared in this production draw inspiration from the experiences of the Storytellers, details, names, and places have been changed for the protection of the Storytellers and their loved ones.
  • Snapshots
    Miral and Mustafa have just gotten back from a routine trip to the mosque. But something out of the ordinary has happened, leading them each to call their best friends Nadia and Kamal. Things start to unravel as the individual snapshots of their lives come into focus, testing the limits of faith, sexuality, commitment, histories, and their basic beliefs about who they are.
  • Speak
    Khadija’s mother has just passed away. She needs to pack up the house before the movers arrive, but has little time left for the treasured family desk. Will the truths that it speaks be more than she can handle? Or will her poems give her the last word?