Stacey Rose

Stacey Rose

Stacey Rose hails from Elizabeth, NJ and Charlotte, NC respectively. She is a proud mom, daughter, and sibling. Stacey is a 2019- 20 McKnight Fellow, 2020-22 Playwrights’ Center Core Writer, 2018-19 Goodman Theatre’s Playwrights Unit writer, and member of The Civilians R&D Group. She was a 2018 Sundance Theatre Lab Fellow, 2017-18 Playwrights’ Center Many Voices Fellow, and 2015-16 Dramatist Guild Fellow....
Stacey Rose hails from Elizabeth, NJ and Charlotte, NC respectively. She is a proud mom, daughter, and sibling. Stacey is a 2019- 20 McKnight Fellow, 2020-22 Playwrights’ Center Core Writer, 2018-19 Goodman Theatre’s Playwrights Unit writer, and member of The Civilians R&D Group. She was a 2018 Sundance Theatre Lab Fellow, 2017-18 Playwrights’ Center Many Voices Fellow, and 2015-16 Dramatist Guild Fellow. Her play AMERICA v. 2.1 was awarded the inaugural Burman New Play Prize and received its world premiere production at Barrington Stage Company in June 2019. Her play LEGACY LAND, developed at The Playwrights’ Center, will world premiere at Kansas City Rep in February 2020. AMERICA v. 2.1 and her play AS IS are featured on the 2019 Kilroys list. LEGACY LAND also made The List as an Honorable Mention.Her work has been presented at UNC Charlotte, On Q Productions, NYU Tisch School of the Arts, The Fire This Time Festival, The Brooklyn Generator, The Bushwick Starr Reading Series, Mosaic Theatre, The Amoralists Theatre Company, Rattlestick Playwrights Theatre, National Black Theatre, and Pillsbury House Theater. She served as Writers Assistant and Script Coordinator for season one of the series “She’s Gotta Have It.” She holds an MFA in Dramatic Writing from NYU Tisch School of the Arts and a BA in Theatre from UNC Charlotte. While at Tisch, she was the recipient of an AAUW Career Development Grant, Future Screenwriting Fellowship, and The Goldberg Prize for her play THE DANGER: A HOMAGE TO STRANGE FRUIT. Stacey’s work celebrates and explores Blackness, Black identity, Black history, body politics, and the dilemma of life as the “other.”

Plays

  • America v. 2.1: The Sad Demise & Eventual Extinction of the American Negro
    America v. 2.1 is a day in the life of a troupe of historical re-enactors charged with telling the tragic story of what was once was the American Negro, a woeful race once featured prominently in the American landscape, but whose time has been extinguished at own foolish hand. The troupe finds themselves at odds with the state of their own existences while being painfully oblivious to the parallels and...
    America v. 2.1 is a day in the life of a troupe of historical re-enactors charged with telling the tragic story of what was once was the American Negro, a woeful race once featured prominently in the American landscape, but whose time has been extinguished at own foolish hand. The troupe finds themselves at odds with the state of their own existences while being painfully oblivious to the parallels and intersections their lives draw to that of the very Negroes whose story they are bound to tell. As this oblivion fades and they are faced with their stark reality, this day in the life of actors, becomes a day of reckoning.
  • As Is: Conversations with Big Black Women In Confined Spaces
    As Is, is the story of four Big Beautiful Black Women living the everyday struggle of trying to lose a few pounds and navigating their Big Black Womeness in the confined spaces of their lives. D. Everette has found her stride as a college professor. Antonia seems to have stumbled upon the perfect manifestation of Black love. Beverly, has her children and her grief. It is young Camille who threatens to unravel...
    As Is, is the story of four Big Beautiful Black Women living the everyday struggle of trying to lose a few pounds and navigating their Big Black Womeness in the confined spaces of their lives. D. Everette has found her stride as a college professor. Antonia seems to have stumbled upon the perfect manifestation of Black love. Beverly, has her children and her grief. It is young Camille who threatens to unravel the four way friendship with her inability to, find and relegate herself to, a confined space of her own.
  • Legacy Land
    The story opens on Thanksgiving morning as Barbara Tompkins, prepares a feast for her and her young lover Marcus Ford as the threat of an unseasonable blizzard looms. Barbara’s younger sister Denise Tompkins and her domineering boyfriend Freddie Gaines, blow into town quite unexpectedly, on the winds of the storm. Denise’s presence in their childhood home after over a decade of absence strikes Barbara as...
    The story opens on Thanksgiving morning as Barbara Tompkins, prepares a feast for her and her young lover Marcus Ford as the threat of an unseasonable blizzard looms. Barbara’s younger sister Denise Tompkins and her domineering boyfriend Freddie Gaines, blow into town quite unexpectedly, on the winds of the storm. Denise’s presence in their childhood home after over a decade of absence strikes Barbara as strange, but she relents her apprehension and welcomes her sister home. After awkward introductions, the group decides to break bread. It is immediately evident that Freddie is a shit stirrer with a lustful eye on Barbara and a contentious one on Marcus. After the meal, an emergency weather announcement screeches over the old fashion stereo in the living room. The storm is going to be bad, really bad, and they are stuck with each other.
    To ease some of the tension created by the weather announcement and Freddie’s shit stirring, Denise suggests the group play games, and heads to the attic to get a box of them. She returns to Find Marcus and Freddie draped on either side of Barbara on the couch as Barbara recounts the sordid history of their childhood home. Denise, discomforted by Barbara’s version of the “truth”, interrupts. They set up and play a game of Monopoly. Freddie does a healthy amount of trash talking to Marcus who, to Freddie’s amusement, is easily rousable. Having grown increasingly frustrated with the way Denise is playing the game, Freddie, lets it slip that Denise has sold the house without Barbara’s knowledge.
    Barbara explodes. In the midst of the turmoil a bird, blinded by the storm, breaks through the living room window. Denise attempts to apologize, and offers the sale of the house as an opportunity to start life anew outside of the shadow of her past. Barbara calls bullshit, and let’s Denise know that she sees her attempts at being helpful for what they are, guilt. As Barbara seeks supplies to repair the window, Freddie and Denise argue about his ill timed revelation and their next steps. Marcus attempts to intercede on Barbara’s behalf, but is shut down and essentially called an outsider by Denise. He pushes back revealing that he’s been with Barbara since he was 15 years-old and is well aware of Barbara’s past history as a sexual pariah. He feels in this way, he knows Barbara better than anyone ever could.
    The men repair the window the women make drinks and all seems well until it becomes clear that Barbara has decided to Fight back the only way she knows how; with her sexuality. Barbara shamelessly Flirts with and is sexually aggressive towards Freddie. This is devastating to Marcus because though Barbara can be incredibly cruel to him, he lives to please her. She has groomed him that way. For Denise, it begins to unearth memories that present as subconscious spells which cause her to hallucinate and give rise to suppressed sexual feelings from her childhood, a time when Denise felt she lived in the shadow of Barbara’s problems with hyper-sexuality.
    As the evening presses on: The games continue, the storm and spells intensify, and the couples get increasingly intoxicated. The intricacies of their respective relationships are laid bare. Marcus’s co- dependence on Barbara is their glaring issue, while Denise practically lives to enable Freddie’s raging chauvinism. The evening reaches a boiling point when Denise confronts Barbara about her version of the truth of how the house came into the family. Barbara then bulldozes Denise with the reality of who their grandparents were: A sexual predator, and his enabler.
    Overwhelmed, and now in candlelit darkness because of the storm, the couples retire to bed. Barbara and Denise fall into a dream where they are children again. Sixteen year-old Barbara teaches six year-old Denise to dance. It is very sweet, until Barbara notices young Denise with her hand in her panties massaging herself. Barbara, terriFied, begins to slap her sister. She demands to know where she learned the behavior. She asks Denise if it was their grandfather. The sisters snap out of the dream. Denise returns to bed, Barbara heads to the kitchen. Freddie checks on Denise who recoils from his touch. Freddie, sexually frustrated, goes into the kitchen where he Finds Barbara. He confesses that he’s heard about her sexual prowess from living in their neighborhood for a brief time as a child. He advances on Barbara who agrees to have sex with him, if he will walk away from her sister. He’s apprehensive, but Barbara’s seductive touch proves too much to resist.
    As Barbara and Freddie have sex in the kitchen, a branch of the oak tree that has engulfed the house for years begins to beat against the roof, and eventually breaks through. Snow begins to pour into the house. Denise and Marcus are awakened. They look for their lovers only to Find them, together. The house devolves into chaos, but Barbara is satisFied that she has once again used her body to shield her sister from danger. Barbara sits Denise down and bares her soul. She confesses to being a monster, unable to stop seeking out sexual gratiFication in unhealthy ways. Denise commits to helping her Find a new way to live. They seal this pact by tipping the candles that were lighting the house until the house catches Fire. The house burns, taking with it the memories, the men, and leaving the sisters together in their new commitment to one another.
  • The Danger: A Homage to Strange Fruit
    Winner of the 2015 Rita Goldberg Prize, The Danger: A Homage to Strange Fruit, is a theatrical symphony in four movements. Inspired by the mysterious death of Lennon Lacy in Bladenboro, NC, it is a dystopic ghost play that contemplates the legacy of violence against Black bodies in America. The play follows interracial couple He and She into the world of The Station, a long ago abandoned rail station waiting...
    Winner of the 2015 Rita Goldberg Prize, The Danger: A Homage to Strange Fruit, is a theatrical symphony in four movements. Inspired by the mysterious death of Lennon Lacy in Bladenboro, NC, it is a dystopic ghost play that contemplates the legacy of violence against Black bodies in America. The play follows interracial couple He and She into the world of The Station, a long ago abandoned rail station waiting room, an in-between place. The Station houses Black souls who left the earth in violent ways, and who constantly seek their way home. It is through the journey of The Danger, and guidance by the mystical madwoman/goddess of the world, Gyp, that He and She come to realize their place within the world of The Station.
  • Priapus Pie: An American Tragedy
    Alice Johnson has crafted the ideal life for herself and her husband Howard. At the crux of her marital success? Her absolutely irresistible Apple Crumb Pie that contains a secret ingredient that makes it very difficult for Howard to say no. Tonight they celebrate Howard’s early retirement, a celebration that Alice has plotted for the last 28 years. What she hadn’t accounted for, were variables. When two...
    Alice Johnson has crafted the ideal life for herself and her husband Howard. At the crux of her marital success? Her absolutely irresistible Apple Crumb Pie that contains a secret ingredient that makes it very difficult for Howard to say no. Tonight they celebrate Howard’s early retirement, a celebration that Alice has plotted for the last 28 years. What she hadn’t accounted for, were variables. When two unexpected guests arrive to sup, Alice’s plans for a tropical future begin to dissipate and madness ensues.
  • Igniting The Alabaster YOU!
    Millicent Lane is a lifestyle guru who wants to empower YOU, her audience toward the igniting of your “Alabaster Selves”, the fearless, all-knowing, all-seeing White Male who lives within all people and who is the key to sustainable happiness. Over the course of the evening Millicent, guides the audience through the story of her struggle with identity and how she finally came to embrace her alabaster self … or has she?
  • Bones, Bonez, Bone$
    Just a regular day in the depiction of Blacks in entertainment, Bones tells the story of a brother slain in a dark act of betrayal by his brothers. His bones, however, refuse to stay buried compelling the brothers and the audience to reckon or choose not to reckon with the legacy of our deeds. A detonation and reconstruction of the Grimm tale "The Singing Bone."
  • Muva Death
    A young woman with 12 children must make the gut wrenching decision to abort her 13th pregnancy, and that's when the fun begins. Adapted from on the Grimm tale "Godfather Death"