Nancy García Loza (she/her) is a pocha playwright rooted in Chicago, Illinois and Jalisco, México. Her audio drama BRAVA: a folktale con música launched Make-Believe Association’s inaugural season (with mention from the The New York Times), receiving nominations in six categories at the 2019 ALTA Awards, including: The María Irene Fornés New Play Award and winning in the category of Outstanding Original Music in a Play for her song "Corrido de la Brava". She is two-time alum of the national Fornés Playwriting Workshop. She has enjoyed residencies with: The New Harmony Project, Goodman Playwrights Unit, Oregon Shakespeare Festival Black Swan Lab, SPACE on Ryder Farm Institutional Residency, Chicago Dramatists, and more. Her work has also been supported by: Paramount Theater (currently in...
Nancy García Loza (she/her) is a pocha playwright rooted in Chicago, Illinois and Jalisco, México. Her audio drama BRAVA: a folktale con música launched Make-Believe Association’s inaugural season (with mention from the The New York Times), receiving nominations in six categories at the 2019 ALTA Awards, including: The María Irene Fornés New Play Award and winning in the category of Outstanding Original Music in a Play for her song "Corrido de la Brava". She is two-time alum of the national Fornés Playwriting Workshop. She has enjoyed residencies with: The New Harmony Project, Goodman Playwrights Unit, Oregon Shakespeare Festival Black Swan Lab, SPACE on Ryder Farm Institutional Residency, Chicago Dramatists, and more. Her work has also been supported by: Paramount Theater (currently in development with Bull: a love story, world premiere 2022), Teatro Leyden (Wave, TYA world premiere 2021), Broken Nose Theatre, Steppenwolf LookOut Series, Chicago Theatre Marathon, Breath of Fire Latina Theater Ensemble, Collaboraction, UIUC Krannert Center for the Performing Arts, and more. She is the daughter of Mexican immigrants and the eldest daughter of seven children. She is the keeper of stories in her vast family. A self-taught playwright, she writes from instinct, plays by ear, and is urgently determined to bring the pocha experience, in all its complexity, rawness, and lyricism to American stages. She is Mexican American, no hyphen. She is currently under commission from: Steppenwolf Theatre.