Danielle Wirsansky is a playwright, librettist, lyricist, dramaturg, and scholar whose work bridges academic research and theatre to explore history, ethics, and social change. She is currently a PhD Candidate in Modern European History at Florida State University, where she specializes in Holocaust studies, gender, and public history.
Her plays and musicals—including The Secrets We Keep, Shadow of Darkness, Exhaust, and The Hock-Cock-A-Mook Islands—have been performed across the country. In 2024, The Secrets We Keep was performed at the Marjorie S. Deane Little Theatre Off-Broadway in New York City. The Hock-Cock-A-Mook Islands won the LGBTQ+ Award at the 2023 Orlando Fringe, and Danielle has been recognized with Best New Play or Musical at the Tallahassee Broadway World Awards in 2016...
Danielle Wirsansky is a playwright, librettist, lyricist, dramaturg, and scholar whose work bridges academic research and theatre to explore history, ethics, and social change. She is currently a PhD Candidate in Modern European History at Florida State University, where she specializes in Holocaust studies, gender, and public history.
Her plays and musicals—including The Secrets We Keep, Shadow of Darkness, Exhaust, and The Hock-Cock-A-Mook Islands—have been performed across the country. In 2024, The Secrets We Keep was performed at the Marjorie S. Deane Little Theatre Off-Broadway in New York City. The Hock-Cock-A-Mook Islands won the LGBTQ+ Award at the 2023 Orlando Fringe, and Danielle has been recognized with Best New Play or Musical at the Tallahassee Broadway World Awards in 2016, 2022, 2023, and 2024.
She is a Fulbright Scholar, PEO Scholar, Walbolt Fellow, and Elie Wiesel Social Action Fellow, and was named a Young Theatremacher by the Alliance for Jewish Theatre in 2017. Danielle is also a Dramatists Guild Ambassador for the Gulf Coast region and serves as the Finance Director of White Mouse Productions, a theatre company she co-founded to center stories that provoke dialogue and champion social justice.
Danielle’s work—whether academic or theatrical—focuses on amplifying marginalized voices and examining the moral complexities of historical memory. She is particularly passionate about using theatre as a tool for Holocaust education and cultural reckoning.