Nancy Nelson-Ewing

Nancy Nelson-Ewing

NAN-LYNN NELSON aka Nancy N. Ewing BIO nnewing27@aol.com 845-392-3654
Nan-Lynn Nelson is a writer/actor/Teaching Artist for over thirty years. As an actress, Nan-Lynn, debuted on Broadway: in 1979 creating the role of Nikki Kay Kane in the TONY nominated musical, RUNAWAYS. She was also featured in OPEN ADMISSIONS on Broadway, as well as the replacement for Angela Bassette in August Wilson’s JOE TURNER’S...
NAN-LYNN NELSON aka Nancy N. Ewing BIO nnewing27@aol.com 845-392-3654
Nan-Lynn Nelson is a writer/actor/Teaching Artist for over thirty years. As an actress, Nan-Lynn, debuted on Broadway: in 1979 creating the role of Nikki Kay Kane in the TONY nominated musical, RUNAWAYS. She was also featured in OPEN ADMISSIONS on Broadway, as well as the replacement for Angela Bassette in August Wilson’s JOE TURNER’S COME AND GONE. She has performed many times on the Off-Broadway stage as well. Nan-Lynn has been a principle performer in many television commercials, industrials films, live events, as well as nighttime and daytime episodic television, including VIKKI on the critically acclaimed PBS children’s program THE BLOODHOUND GANG, NBC’s HOT HERO SANDWICH, Vivienne Roxbury-Barnes on ALL MY CHILDREN, and several principal features on LAW AND ORDER, THE COSBY SHOW and more. She just wrapped on independent feature film co-starring: as MAVIS in Patrick Wang’s A BREAD FACTORY. Featured: DR. STEINER in THE UNINTENDED, Dr. Lund in DO UNTO OTHERS.
As a playwright, Nan-Lynn Nelson (aka N.N.Ewing) has been a finalist in the prestigious Susan Smith Blackburn international women’s playwriting contest in London for her play: LEAVING WATERMAINE. She was also chosen by, The Tony Award winning regional theatre, Crossroads, for their Genesis Project of New African American Voices in Theatre where she developed LEAVING WATERMAINE. It was also part of the acclaimed Kitchen Sink Reading Series at the Coronet Theatre in Los Angeles.
Ms N.N. Ewing won an artist-in-residence position at the Tribeca Performing Arts Center where she developed another noted play entitled: ENEMY OF THE B.R.E.A.D. Other play titles include: THE UNFAMILIAR, A SWANKA’S REVOLUTION, A TOWN CALLED WITNESS, GLORY!, HOUSE OF LATTISVILLE. SCREENPLAYS:THE REMEMBERING, BALIWICK. Her plays have enjoyed very successful staged readings in New York City including the John Houseman Theatre with a star-studded cast, including Ernie Hudson, Stephanie Mills, Douglas Turner Ward and Ellen Holly. She has been a semi-finalist in the international Chesterfield Film Writing project award as well. She is a published poet in national publications. She has been part of the prestigious line-up of Women of Color playwrights in the Ensemble Studio Theatre GOING TO THE RIVER: RIVERS CROSSING RIVERS Series production of short plays. Her play SKEWERED!, was Produced by Half- Moon Theatre’s 10 Minute Play Festival, 2016. 2016 New Works of Merit, “Honorable Mention” for A TOWN CALLED WITNESS. GLORY! was selected by National Black Theatre Festival for A-List Reading.
She has worked as a story editor for Harry Bellefonte’s film production company, HarBel Productions, and done extensive script analysis for several film companies including New Line Cinema. Ms Nelson-Ewing has written several children’s stories including the series THE GIRL WITH THE GIGGLING HAIR and DELANEY DICTION MASTER. JOURNEY TO VIRTUE PLANET –Outskirts Press 2010. COURT OF STONES.
HOW TO GET PAID:Interviewing With Style 2016; Createspace, Amazon, KINDLE.
N. N. Ewing is a program developer and director of Performing Arts Programming for children and youth which focus on character development and academic curriculums. She continues to write plays, screenplays, poetry and children’s stories and creates a variety of three dimensional art projects. She holds a BS Degree in English/Drama and is a student of Drama Therapy.Member of The Howl Playwrights of the Hudson Valley.

Plays

  • The Letter
    Based on actual historical events and people, this story depicts the destructive nature of racism in America. We travel in both past era’s and decades as well as linger in the by-product of the present, using the lives of two young girls, raised in a suburban bubble and who grow into their "racial" identities in the 1970's via the catalyst of Ida B. Wells, The African American National Women...
    Based on actual historical events and people, this story depicts the destructive nature of racism in America. We travel in both past era’s and decades as well as linger in the by-product of the present, using the lives of two young girls, raised in a suburban bubble and who grow into their "racial" identities in the 1970's via the catalyst of Ida B. Wells, The African American National Women's Clubs of the 1800's and the letter that impacted them all.
  • SKEWERED
    SKEWERED Synopsis
    Realities are revealed, and hearts are broken as a Thanksgiving dinner at grandma’s turns into a plot to defend and repair a family legacy by means of a Pick-Up Sticks competition, for real!
  • The Velvety Box
    The Velvety Box Synopsis
    Confused, a young woman runs into a once familiar bar on a fateful Valentine’s Day, trying to escape an obsessed lover only to find out that time and space can exist in very dodgy realities.
  • HOUSE OF LATTISVILLE
    HOUSE OF LATTISVILLE SYNOPSIS:
    The Clashing of two very different generations. Francesca Montgomery-Lattisville, world renown for her school of “Charm” meets Raeesha Jett, a 15 year old “urban street waif” during a botched attempt at armed burglary. Raeesha, is desperate for food and money and believes the eccentric Francesca is an easy mark. She has no idea the turn her youthful indiscretion is about...
    HOUSE OF LATTISVILLE SYNOPSIS:
    The Clashing of two very different generations. Francesca Montgomery-Lattisville, world renown for her school of “Charm” meets Raeesha Jett, a 15 year old “urban street waif” during a botched attempt at armed burglary. Raeesha, is desperate for food and money and believes the eccentric Francesca is an easy mark. She has no idea the turn her youthful indiscretion is about to yield in the House of Lattisville
  • A TOWN CALLED WITNESS
    A TOWN CALLED WITNESS
    An Urban Greek Tragedy presented in spoken word poetry and prose, delves into the power of the media and its, often, biased reporting of black youth. It tells the story of a mother who after losing everything, finally listens to the voices in her head to gather her strength and courage to formulate her own voice and speak on the injustice that has befallen herself, her son and husband.
  • A TOWN CALLED WITNESS
    A TOWN CALLED WITNESS
    An Urban Greek Tragedy presented in spoken word poetry and prose, delves into the power of the media and their, often, biased reporting of black youth. It tells the story of a mother who after losing everything, finally listens to the voices in her head to gather her strength and courage to formulate her own voice and speak on the injustice that has befallen herself, her son and husband.
  • LEAVING WATERMAINE
    LEAVING WATERMAINE takes us to the not so distant past of “Jim Crow”, 1942, Watermaine. GA, where a middle class African American family, the Mainlodges, struggle to maintain dignity and family unity, against the backdrop of Con-man suitors, secret abortions and the mysterious murder of Verdene’s secret lover. Where truth unfolds and dreams remain illusive. The patriarch, undertaker, Werly Mainlodge, with a...
    LEAVING WATERMAINE takes us to the not so distant past of “Jim Crow”, 1942, Watermaine. GA, where a middle class African American family, the Mainlodges, struggle to maintain dignity and family unity, against the backdrop of Con-man suitors, secret abortions and the mysterious murder of Verdene’s secret lover. Where truth unfolds and dreams remain illusive. The patriarch, undertaker, Werly Mainlodge, with a strong but loving hand and specific life goals for his daughters, tries to keep his girls on the straight and narrow. Sisters, Verdene, Jeridene, and Magdelene Mainlodge, all educated, are challenged by the limitations of the times, search to find their own identity, among broken hearts, shame, ambitions, color struck and triumphant spirits. Struggle as they might, they eventually all resolve to LEAVING WATERMAINE.
  • GLORY!
    SYNOPSIS: GLORY!

    GLORY is a “Dramedy” in one act and three characters. It takes us through a harrowing night with two elderly but spry African American sisters. One, Jesstell Beaumont-Handsome, is convinced that she has accidentally killed her under-cover spy husband and is now on the lam. Jesstell rushes to her youngest, beloved sister’s house, distraught, grandchildren in tow, because her...
    SYNOPSIS: GLORY!

    GLORY is a “Dramedy” in one act and three characters. It takes us through a harrowing night with two elderly but spry African American sisters. One, Jesstell Beaumont-Handsome, is convinced that she has accidentally killed her under-cover spy husband and is now on the lam. Jesstell rushes to her youngest, beloved sister’s house, distraught, grandchildren in tow, because her sister is always in control. The youngest sister, Bitty Beaumont, receives Jesstell’s early morning intrusion of her 65th birthday with annoyance and reserved sympathy. Obsessed with all things “Forensics Files”, “First 48” and “Unsolved Mysteries”, Bitty tries to get to the bottom of it all. Meanwhile, family treasures and secrets begin to spill out making this a very sobering and thrilling ride for all indeed.