Kirsten Greenidge

Mia just wants her daughter to listen without talking back. Dailyn just wants her mom to quit being so overbearing. And they both just want everything to be perfect for when older sister Alex comes home for her birthday. But when a mysterious visitor from a digital dimension arrives on Mia’s doorstep, the very concepts of home and perfection are challenged.
Reality and social media blur together in the newest play from Boston’s own master playwright Kirsten Greenidge. An eccentric reflection of post-pandemic life, Morning, Noon, and Night navigates familial reckoning, digital surveillance, and the ways we can love each other after three long and traumatic years.

Written in 1780 by the virtuoso Joseph Bologne, Chevalier de Saint-Georges, the chamber opera The Anonymous Lover tells the story of Léontine, a wealthy young widow disenchanted with the notion of love, who starts receiving letters from an anonymous admirer. In this joyful new co-production by Boston Lyric Opera and Opera Philadelphia, Bologne’s stirring music is complemented by a fresh book adaptation from the pen of Obie Award-winning Boston playwright Kirsten Greenidge, mixing English dialogue with the original French singing. Don’t miss an evening of lighthearted mishaps, heartfelt melodies, and endearing characters that will inspire you to root for true love!

Part adaptation part inspiration, One Penny Down draws from Leo Tolstoy's Anna Karenina in a lyrical revisting of this work's key themes.

In THIS rendition, we follow new mom Summer as she contemplates life and new love around the time of her first Mother's Day. But there's also Summer's fascination with her husband's family. And also Summer's estrangement from her own family. And also the mall and one June night when all that Summer holds close comes into even closer focus.

This riveting and intricately woven world premiere play brings Boston’s history to life in the 1960s and 70s, culminating in three families’ experiences in court-mandated busing. Diverse in both race and class, what can these families’ experiences tell us about our own time? Especially when Boston Public Schools are more segregated in 2021 than they were in 1974. Common Ground Revisited is inspired by Anthony Lukas’ landmark Pulitzer Prize winning book, which The New York Times praises as an “epic of American city life.” Developed with ArtsEmerson, this unique work comes from Obie Award winners Melia Bensussen and Kirsten Greenidge, reteaming for the first time since their acclaimed Huntington production of Luck of the Irish.

Lavinia is bringing her sisters and mother on a much-needed family vacation. She has planned the week to the smallest detail – antiquing in the afternoons, grilled steaks for dinner, absolutely no cellphones allowed – and if Lavinia gets her way, they will stay forever. What will her sisters have to say?

Excecutive chef and culinary visionary Virginia Halloway has finally opened her dream restaurant in her dream location— the very neighborhood where she and childhood friend Shannon overcame hardship years ago. But not everyone is pleased by Virginia’s good fortune, and the eatery’s presence, once a symbol of local-girl-makes-good now promises something that is anything but.

It starts with the sound of a spoon scraping against glass and the wet noise of lips smacking together. June and Lurie have a haunting new houseguest – and she’s ravenously hungry. They do their best to keep her fed and happy, but Beatrice always demands more. As she burrows deeper and deeper into their lives, the couple faces a horrific question: what will it cost to exorcise Beatrice forever?

As the French Revolution brews outside, teenage slave Sally Hemings gets her first taste of freedom while serving in Thomas Jefferson’s Paris home. Inside, she becomes involved in one of the most speculated about and scandalous relationships in American history. With verve, humor, and music, playwright Kirsten Greenidge imagines how events unfolded in the Jefferson household for the family and “servants” alike. Little Row Boat is a visceral and intricate story of convictions, contradictions, and sacrifice in the pursuit of liberty.

Welcome to Gleason Street—where the teachers are underpaid, the head of school is overwhelmed, and we do NOT talk about that thing that happened at the last parents council meeting (so don’t bother asking about it).

As the audience tours the struggling elementary school, each classroom explored and each encounter witnessed could upend our assumptions about the ways we educate, govern, and collectively strive toward the greater good. Equal parts playful and provoking, Obie Award winner Kirsten Greenidge’s Greater Good is a one-of-a-kind theatrical experience.

It seems that hardly a day goes by that the media doesn’t confront us with yet another unspeakable act. Kirsten Greenidge’s Zenith teases out the complex and interwoven threads of one life that ends shockingly. Daring in structure and rich in detail, this play makes us question whether we can ever truly fathom another human being.

Lost souls are found, love is rekindled, and secrets are exposed at a mysterious motor lodge in the American West. Created by Pulitzer Prize-winning composer Ellen Reid, playwright christopher oscar peña, and director James Darrah, desert in is a groundbreaking, new eight-part miniseries that reveals a supernatural story of love, loss, and the price of memories.

When a racially-charged incident divides her first-year students, reluctant resident advisor Shelby finds herself in the middle of a conversation she does not want to have. As pressure to address the controversy mounts from residents, the new dean, and even her best friend, Shelby must decide if she will enter the fray or watch her community come apart at the seams. Sharp, funny, and searing, Baltimore is a timely drama about racism on college campuses.

When Hannah and her sister Nissa invite a long time friend of the family’s to a memorial picnic for their grandmother, they learn that the deed to the house their family has called home for decades is being mysteriously “reclaimed.” The news forces Hannah into a tailspin as she wrestles with her relationship with the town she’s called home. Interlaced with Hannah’s struggles are glimpses of the past when the deal that procured their home came to fruition.

It is Annie Desmond’s sixteenth birthday and her friends have decided to help her celebrate in style, complete with a brand new tattoo. Before her special night is over, however, Annie and her friends enter into a life altering pact. When Annie tries to make good on her promise to her friends, she is forced to take a good look at the world that surrounds her. She befriends Malik, who promises a bright future, and Keera, whose evangelical leanings inspire Annie in a way her young parents have not been able to do. In the end Annie’s choices propel her onto an irreversible path in this story that combines wit, poetry, and hope. (5W 2M)