Cheryl Coons

Cheryl Coons

CHERYL COONS (Playwright/Lyricist/Librettist) is a member of the National Council of the Dramatists Guild, and has co-written more than a dozen musicals that have received professional productions, including River’s End (ASCAP Foundation Harold Arlen Musical Theatre Award, Bay Area Theatre Critics Circle Awards for Original Script and Score, Theatre for the American Musical Award, NYMF and NAMT Festival...
CHERYL COONS (Playwright/Lyricist/Librettist) is a member of the National Council of the Dramatists Guild, and has co-written more than a dozen musicals that have received professional productions, including River’s End (ASCAP Foundation Harold Arlen Musical Theatre Award, Bay Area Theatre Critics Circle Awards for Original Script and Score, Theatre for the American Musical Award, NYMF and NAMT Festival selection), At Wit’s End (Carbonell Award for Best New Work), Sylvia’s Read Good Advice (Joseph Jefferson Award for Best New Work), Female Problems (After Dark Award for Best Music) and Phantom of the Country Opera, published by Music Theatre International. She contributed lyrics to Chicago Shakespeare Theatre’s award-winning productions of Merry Wives of Windsor and Measure for Measure. Her work has been produced on the stages of Northlight Theatre, the Marriott Theatre, Drury Lane Theatre, Florida Stage, and Marin Theatre Company, as well as other theatres across the US and internationally in the UK, Canada, Kuwait, and Russia.

Cheryl’s musicals have been developed and showcased at the Eugene O’Neill Theatre Center’s National Music Theatre Conference, the National Alliance of Musical Theater’s Festival of New Works, and the New York Musical Theatre Festival (NYMF), Berklee College of Music, and the American Music Theatre Project at Northwestern University. Projects she has written have twice been selected for the ASCAP/Disney Workshops (Los Angeles and Chicago), and for further development by ASCAP at the Perry Mansfield New Noises Festival in Steamboat Springs, CO. A revue of her work was produced at the Royal George Theatre and was honored as one of Chicago’s 10 Best Cabaret Shows of the year by Cabaret Scenes magazine and Cabaret Online. Her original novelty songs have been featured on Good Morning, America, The Today Show, and NPR’s Morning Edition. Cheryl has appeared at Carnegie Hall, performing her original material in an evening hosted by Michael Feinstein.

Cheryl has been an instructor at the Kennedy Center’s National Playwrights Intensive, the Dramatists Guild Institute, and Chicago Dramatists where she was a Resident Playwright from 2008 to 2018 and designed and taught a curriculum of five classes for musical theatre writers. She has also designed and taught musical theatre writing and musical theatre history courses for Columbia College, Porchlight Music Theatre and National Louis University. She has taught the Creating the Musical class at Northwestern University, and mentored writers through the American Musical Theatre Project, also at Northwestern University.

Cheryl served as an animateur (liaison/dramaturg/curator) for Lyric Opera of Chicago’s Chicago Voices Project, developing two original musical works with a group of Chicagoans who had experienced homelessness, and a collective of youth artist/activists. From 2013 to 2022, she served as a Program Manager, Artistic Manager, and Transition Task Force leader for Storycatchers Theatre, assisting the court-involved youth at the Cook County Juvenile Detention Center to write original musicals based on their real-life stories.

Plays

  • The Woman in Question
    Two women on the brink of independence, and the notorious artist driven to capture them both.

    Vienna, 1943. The director of a Nazi exhibition of looted art summons fashion designer Emilie Flöge to authenticate a sketch by her soul-mate and brother-in-law, the controversial painter of women, Gustav Klimt. If the sketch is genuine, it will prove the identity of the woman in Klimt’s sensual...
    Two women on the brink of independence, and the notorious artist driven to capture them both.

    Vienna, 1943. The director of a Nazi exhibition of looted art summons fashion designer Emilie Flöge to authenticate a sketch by her soul-mate and brother-in-law, the controversial painter of women, Gustav Klimt. If the sketch is genuine, it will prove the identity of the woman in Klimt’s sensual masterpiece, The Kiss. As Emilie waits to view the sketch, she discovers the Nazis have seized another painting, Woman in Gold, Klimt's iconic portrait of Jewish socialite Adele Bloch-Bauer. Adele, a brilliant young woman with a disabled hand, is rumored to have had an affair with Klimt. Emilie relives the drama surrounding the creation of Adele’s portrait to unlock a powerful secret. Beneath the gold leaf of both The Kiss and Woman in Gold there’s an undeniable erotic charge. Is the woman in question the Woman in Gold?

    Emilie and Adele are women pursuing a legacy: Emilie’s extraordinary uncorseted designs could transform women’s relationships with their bodies- if only the conservative women of Vienna would buy them. Adele believes her weekly salon with great artists and thinkers will give her influence over the political and cultural climate of Vienna. Klimt strives to capture each of them at a time when women were beginning to be seen in a new light…as figures of power in addition to beauty.