***FULL LENGTH*** It is the 1920s in Chicago, and The District of Lake Michigan is thriving. Led by Cap and Ma Streeter, the lakefront plot of land that houses the District is occupied by a ragtag group of Chicagoans living outside the law. They have been allowed to live there, pretty much undisturbed, for decades, but now they are in the way of millionaire Potter Palmer's master plan to expand his holdings onto Lake Shore Drive. Not one to do his own dirty work, Palmer sends his puppets (The Judge, Sargeant O'Malley, and N.A. Warpbank) to remove Streeter and his followers from the land once and for all in this DaDa legend about land ownership, puppets, and guns.

This play is in development and open to development opportunities

***FULL LENGTH*** In 1927, in an open-air train station in Spain, Phillip gives Jig a choice: have an abortion and marry him, or keep the baby at the expense of the relationship.

This feminist re-imagining of Ernest Heminway's "Hills Like White Elephants" explores the two futures associated with Jig's two options. One leads to a future as a wife in America, the other as a mother in Italy.

Ultimately, this play is about the choices women have, the way we are represented in literature, and our ultimate search for happiness and autonomy. CWs: abortion, attempted suicide/self-harm, substance use

This play is in development and open to development opportunities

***FULL LENGTH*** Abigail is a twenty-something who doesn’t get out much. With a severe anxiety disorder and a job writing erotica, she rarely needs to leave the house for non-essentials, and she prefers the cocoon of her disorder to the uncertainty of treatment. However, when Abigail's wayward little sister, Annie, comes to stay with her in Chicago, she immediately tries to break Abigail out of her well-constructed shell by dragging her to some hipster Halloween party. What starts as a few drinks at a local bar turns into a real life trapped room puzzle that the girls must complete (against their wills) in order for Annie to keep her job and prove to her family (and herself) that she can be a responsible adult. While completing the puzzle, the sisters have to deal with their own anxieties, and each other’s. Caught in the crossfire is Merlin: a gay Black woman from the North side of Chicago with anxieties of her own. Will our heroines solve the puzzle? Or will they let their anxieties get the better of them? Find out in this twisty play about sisterhood, self-sufficiency, and those nagging little voices in our heads that tell us we're not good enough.

This play is the first installment in The Millennial Trilogy.

This play is in development and open to development opportunities.

***One Act*** When Monster recruits Daisy -- a manic-depressive -- into her "Sisterhood" for girls with mental illnesses, she gives her a place to stay, a pair of new friends (Almond the Anorexic and Cherry, who practices SI), and everything she needs to renounce society and "indulge" in all of her pathologies. But when Daisy learns about the disappearance of a former member of the Sisterhood (Cobra) and starts to question Monster's carefully constructed world, everything begins to unravel. The resulting power struggle between Monster and Daisy leaves Cherry and Almond caught in a tumultuous middle that sends them spiraling downwards, and Daisy is forced to face the possibility that she is becoming the very thing she is fighting against.

***20 minutes*** Mommy & Daddy think that The Monster is killing The Girl, so they lock her in a cage. The Girl, on the other hand, thinks The Monster is protecting her from her parents, who LOCKED HER IN A CAGE.

This short play, inspired by the Swopes child abuse case in Waukegan, Illinois, questions whether or not some of the things that are done in God's name are any better than some of the things that are done in Satan's name.

This play is in development and open to development opportunities.

***10 minutes*** Nana Batty and Sweet Jane are two pigeons living by the train tracks and surviving off the scraps of food that people throw away. One thing keeps them going: the dream of grain, real grain. But when a man shows up to feed the pigeons, Nana and Jane question his motives, and wonder whether or not they should finally realize their dream.

This play is in development and open to development opportunities.

***10 minutes*** Director Jacobs wants to fire Mandy from her job at the Autumn Days Hospice because she cries about death too much, but Mandy has a supernatural secret that might just save her job...