Bilal Dardai

In 2007, in an empty Washington DC office, a State Department worker and his friend, a Congressional librarian, enact a ritual that summons a long forgotten god of war and binds it in place. As the two argue about what they've done and why they've done it, the god makes its own plans, and the resolution of this encounter may not prove satisfying to anybody.

On a blank plane of existence, Scissors and Paper discuss the recent shift in their usual paradigm after Rock, the third member of their cohort, spontaneously vanished. As they begin to succumb to circumstances and urges beyond their control, they struggle to understand the larger forces and agendas in play.

In 1900s England, a brave poet in the employ of Scotland Yard infiltrates a sinister society of anarchists, with the aim to take down their leader, Sunday. As he works his way deeper into the fold, however, he discovers that nothing is as it seems. Adapted from the 1908 G.K. Chesterton novel.

A NOTE ON CASTING: While the play features 25 roles using male pronouns, it has been produced with as few as ten actors and directors are encouraged to experiment with casting within a wide gender spectrum.

Around Christmas, three co-workers share with the audience the story of how their toxic, abusive boss experienced a near-miraculous change of heart and temperament and what happened when they refused to accept it. Adapts and updates Charles Dickens' "Christmas Carol," and designed to be performed in a bar.