Max Mondi

Max Mondi is a writer and teacher based in Boston. His plays include MAYBE TOMORROW, NO ONE ASKED FOR THIS, HOUSE OF KAREN, and PERSONHOOD. He has developed work with Abingdon Theatre Company, Orchard Project, HERE, The Tank (NYC), The PIT, SoHo Playhouse, and Project Y Theatre. Max is a professor of playwriting and dramaturgy at Dean College. He holds an M.F.A. in Playwriting from Columbia University and a B.A. in Theatre History/Criticism from the University of Vermont.

Max Mondi is a writer and teacher based in Boston. His plays include MAYBE TOMORROW, NO ONE ASKED FOR THIS, HOUSE OF KAREN, and PERSONHOOD. He has developed work with Abingdon Theatre Company, Orchard Project, HERE, The Tank (NYC), The PIT, SoHo Playhouse, and Project Y Theatre. Max is a professor of playwriting and dramaturgy at Dean College. He holds an M.F.A. in Playwriting from Columbia University and a B.A. in Theatre History/Criticism from the University of Vermont.

Scripts

Maybe Tomorrow

by Max Mondi

10
Cast Size
2—3
Genre
adaptation,
comedy,
dark comedy,
drama,
experimental,
immersive,
tragedy

Gail lives with her husband Ben in a mobile home in the stunning Northeast Kingdom of Vermont. Gail discovers she is pregnant, and at the same time, she also discovers an Audience has taken over her bathroom. Though at first frightened, Gail becomes super tight with them, and decides to stay in the bathroom permanently. Ben struggles to adjust and to raise their new child. But is there a child? Are they...

Gail lives with her husband Ben in a mobile home in the stunning Northeast Kingdom of Vermont. Gail discovers she is pregnant, and at the same time, she also discovers an Audience has taken over her bathroom. Though at first frightened, Gail becomes super tight with them, and decides to stay in the bathroom permanently. Ben struggles to adjust and to raise their new child. But is there a child? Are they even in a mobile home?

Inspired by a true story, MAYBE TOMORROW is a tragicomical, meta-theatrical experience that explores the tolls of marriage and the very meaning of theatre today.

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House of Karen

by Max Mondi

2
Cast Size
10—11
Genre
comedy,
drama,
political

Karen, a 75-year-old retired college administrator, is pushed out of the home in which she raised her son Blake. When she learns that the house has been turned into a Airbnb, she sets out to take back her home by joining all the other wanderers and travelers and becoming a guest at the Airbnb.

Karen, a 75-year-old retired college administrator, is pushed out of the home in which she raised her son Blake. When she learns that the house has been turned into a Airbnb, she sets out to take back her home by joining all the other wanderers and travelers and becoming a guest at the Airbnb.

Personhood

by Max Mondi

1
Cast Size
3—4
Genre
comedy,
dark comedy,
drama,
experimental,
farce,
romantic comedy

Two people become roommates via Craigslist and fall in love. However, they never actually meet because a third, anonymous person is also living in the apartment, alternately pretending to be each of them.

Two people become roommates via Craigslist and fall in love. However, they never actually meet because a third, anonymous person is also living in the apartment, alternately pretending to be each of them.

Some Guy Masturbated In The Ocean

by Max Mondi

9
Cast Size
4
Genre
dark comedy

A seemingly frivolous act of self gratification nearly destroys a family and an entire community.

A seemingly frivolous act of self gratification nearly destroys a family and an entire community.

Take Me Out

by Max Mondi

3
Cast Size
2
Genre
comedy,
dark comedy,
farce,
radio drama

Tracy is the best hit woman money can buy. But when veteran actor Barbara solicits her expertise, Tracy is faced with the greatest moral conundrum of her career.

Tracy is the best hit woman money can buy. But when veteran actor Barbara solicits her expertise, Tracy is faced with the greatest moral conundrum of her career.