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Okay, so, Kathryn has left New York City and returned to her childhood home in St. Louis to take care of her parents during the pandemic. Not the pandemic you’re thinking of. This is 2041. But her dad just wants to eat sandwiches and play puppets with Kathryn like she’s a kid. Her mom is pissed that the smart city won’t let them out of the house. And Kathryn’s boss wants her back in New York to sell high school...
Okay, so, Kathryn has left New York City and returned to her childhood home in St. Louis to take care of her parents during the pandemic. Not the pandemic you’re thinking of. This is 2041. But her dad just wants to eat sandwiches and play puppets with Kathryn like she’s a kid. Her mom is pissed that the smart city won’t let them out of the house. And Kathryn’s boss wants her back in New York to sell high school group tickets to a century-old snoozefest of a play. And Kathryn? What does she want? Well, she doesn’t want to explode her carefully built theatre career as Education Director at the longest-running off-Broadway theatre, that’s for sure. But her parents took care of her in 2020 during that first pandemic, so she’s got to do right by them, doesn’t she? Besides, Kathryn’s doing fine at home, right? This whole mess isn’t bringing up any unresolved feelings, is it? Nothing worth mourning, anyway. Right?