Benjamin V. Marshall

Benjamin V. Marshall

Do you like the photo? My niece suggested it. She liked the big smile. Sometimes people notice the bohemian clothing, big smile, and my first name and assume that I am Jewish and white. However, I am mixed race - African American and European ancestry. On both sides of the family, going back a couple of generations. There was a whole lot of creeping on back in those centuries. I grew up in East Orange NJ. It...
Do you like the photo? My niece suggested it. She liked the big smile. Sometimes people notice the bohemian clothing, big smile, and my first name and assume that I am Jewish and white. However, I am mixed race - African American and European ancestry. On both sides of the family, going back a couple of generations. There was a whole lot of creeping on back in those centuries. I grew up in East Orange NJ. It borders Newark. I had piano lessons from the age of five. Soon the grit and anger of Brick City infiltrated East Orange. Before I was 18, I’ve had cousins perish from drug overdoses or gun violence, and others had their first children before they finished high school. My father lost his job. We sold our house and moved onto the second floor of my uncle’s house. The clashing forces of working class issues, race, and laws were part of my growing up. Yet, I still played the piano, finished high school, and went to a local college on an academic scholarship.

I earned a B.A. in English and Speech, Theatre Media Studies from Kean University in N.J. I was their first student to graduate as a theatre major. I also won their Vaughn-Eames award for excellence in Theatre. I studied playwriting at Hunter University in NYC and then earned an M.F.A in Creative Writing Poetry from the University of Massachusetts in Amherst. I then took a detour and taught English at Universities in Arabic- speaking countries. Currently, I am a Professor at Middlesex County College in NJ, I specialize in African American Literature, Creative Writing and Playwriting. I also teach playwriting at Wagner College in Staten Island. No children, lots of Sex, and I lie about my age. Please read on.

“Playwright Benjamin V Marshall’s piece takes on a mouthful in terms of personal history and feelings that require a decent amount of exposition. Yet in Corn Bread with Raisins and Almonds, he demonstrates an adept ability to handle emotional complexity” stated DC Theatre Scene about Source Theatre’s Production in Washington D.C. My other plays include Piscataway, NJ, Henry’s Bridge, Boom Box, Carlos and LaVonne, A Goat on the Balcony, Galilee House, Purchasing Power, The Red Train Café, Incident at Willow Creek and Homestar. His work has been developed and or performed at the HBO New Writers Workshop, Luna Stage, Playwrights Theatre of New Jersey, Interact Theatre, ATHE conference, The Warner’s International Playwrights, the Berrie Center, WBEZ Chicago public radio, the Short and Sweet Festival in Melbourne Australia, National Playwrights Symposium at Cape May and the Kennedy Center Summer Intensive.

My play Incident at Willow Creek won both the Bauer-Boucher Award and the Stanley Drama Award. A one act White Gloves recently won in the first annual L.B. Williams Festival from New Circle Theatre in NYC. The one act Extended Play was published in the 2021 edition of The Best New Ten-Minute Plays (Applause Books) I have also published poetry, fiction, and essays in several literary magazines, including Art and Understanding, Callaloo, Jonathon, Bloom and Nimrod.

Other honors include fellowships from the Geraldine R. Dodge Foundation, the Helene Wurlitzer Foundation, The Victor Bumbalo/ Robert Chesley Foundation, Venture Theatre, the Virginia Center for the Creative Arts, the National Endowment for the Humanities, and five playwriting fellowships from the New Jersey State Council on the Arts.

I am lousy at self-promotion. However, my niece still loves the picture.

Plays

  • INCIDENT AT WILLOW CREEK a full length play in one act
    Verite, an African American Professor is at a crossroads. She’s smug about her neutral stance regarding guns; yet, she obsesses over a recent gun incident that resulted in the killing of an innocent black man. She closely follows the story on TV and radio and is torn between the need to defend oneself and the need to comply with law enforcement. At the same time a student perplexes her with his own fixation on...
    Verite, an African American Professor is at a crossroads. She’s smug about her neutral stance regarding guns; yet, she obsesses over a recent gun incident that resulted in the killing of an innocent black man. She closely follows the story on TV and radio and is torn between the need to defend oneself and the need to comply with law enforcement. At the same time a student perplexes her with his own fixation on guns. He even offers to teach her how to shoot, and that conflicts with her sense of self. With her own college preparing for security risks, Verite is forced to confront her beliefs, her passive nature and her own physical safety.
  • Piscataway
    19 - year- old Nicole, a recent transplant from the gritty inner city to the NJ suburbs, has lost her bearings. Her brother has died, her mother has just acknowledged that she’s a lesbian, and her father is financially strapped; so, the reckless Nicole strings along both Wyem, a bad boy parolee from juvenile hall, and his humble cousin Sam. In this delightful 21st century Shakesperean comedy that riffs in hip-...
    19 - year- old Nicole, a recent transplant from the gritty inner city to the NJ suburbs, has lost her bearings. Her brother has died, her mother has just acknowledged that she’s a lesbian, and her father is financially strapped; so, the reckless Nicole strings along both Wyem, a bad boy parolee from juvenile hall, and his humble cousin Sam. In this delightful 21st century Shakesperean comedy that riffs in hip-hop and verse, Nicole must decide if she’s the wannabe rebel, the dull, dutiful daughter or the responsible young woman who, despite all situations, can control her own life.
  • Five Husbands
    Oliver looks for love with the wrong men, despite being successful in other areas of his life. All of his romantic partners are married. He commiserates with this best friend Sally, an old college friend who is equally free -wheeling. When someone from their past returns, it sets in motion a series of events that forces Oliver to examine his fear of commitment to marriage, the men in his life and himself.
  • The Galilee House
    Amos Barrett, a professor of African -American history at a small public university, aims to restore an old building at the edge of campus, a way station for the Underground Railroad, called the Galilee House. Amos presumes his late wife’s ancestor stayed there on her escape from slavery. Jill Dunnwebb, the younger school administrator, a woman whom Amos helped to hire, sees the house as a drain on the...
    Amos Barrett, a professor of African -American history at a small public university, aims to restore an old building at the edge of campus, a way station for the Underground Railroad, called the Galilee House. Amos presumes his late wife’s ancestor stayed there on her escape from slavery. Jill Dunnwebb, the younger school administrator, a woman whom Amos helped to hire, sees the house as a drain on the school’s diminishing resources and a distraction to Amos’s teaching. After a small academic argument blows all out of proportion, will the tribute to the past be restored and if so, at what personal cost to Amos and Jill?
  • BEASTS AND CAKES: THE CHRONICLES OF PHILLIS WHEATLEY
    Bought in 1761, to be a housekeeping slave at the Wheatley home, the African child, Phillis, soon demonstrates her talent for words and a gift for poetry. Her notoriety increases. Her owners, Susanna and her own daughter, Mary, chafe as the slave seems to upend the usual servant and master roles, especially when the threat of the American Revolution advances to their Boston front door. As Phyllis Wheatley...
    Bought in 1761, to be a housekeeping slave at the Wheatley home, the African child, Phillis, soon demonstrates her talent for words and a gift for poetry. Her notoriety increases. Her owners, Susanna and her own daughter, Mary, chafe as the slave seems to upend the usual servant and master roles, especially when the threat of the American Revolution advances to their Boston front door. As Phyllis Wheatley gains international recognition of her work, and as she grows more independent in an increasingly violent world, she confronts the general of the continental armies, George Washington who himself wrestles with the notion of freedom. Length is just over 2 hours.
  • Homestar
    Five years after her transgender daughter was brutally murdered in Las Vegas, Nan arrives in the glittery city with her sister-in-law and mentally challenged older sister. (The murder is enacted in flashback alternating with scenes in the present.) While the three women make their way down the glittery strip, encountering leads and clues, Nan acknowledges her loathing of her child’s gender change. Ultimately,...
    Five years after her transgender daughter was brutally murdered in Las Vegas, Nan arrives in the glittery city with her sister-in-law and mentally challenged older sister. (The murder is enacted in flashback alternating with scenes in the present.) While the three women make their way down the glittery strip, encountering leads and clues, Nan acknowledges her loathing of her child’s gender change. Ultimately, Nan confronts one of the two murderers, but she must also confront her own aversion to Leigh-Leigh’s life and love.
  • Elephants on the Vanishing Point
    Subtitled a play for three actors and a shopping bag of props. This one act play is comprised of five interrelated scenes regarding the making of art, artists, passion versus posing funding for the arts and the transcendental experience of art.
  • The Red Train Cafe
    In a Parisian café, a young composer on his way to Africa sees his boyhood idol, a James Baldwin like figure. He entreats the waiter to send the older man a drink, assuming an encounter with the idol will change his life. It does in unexpected ways where the composer, the older writer and even the waiter confront their fears, tribulations and hopes.

  • Corn Bread With Raisins and Almonds
    A young woman tries to track down a recipe because it is the favorite snack food of her dead fiancé. She eventually meets the one embittered man who can help her.
  • Boom Box
    1980's. Two young girls and a portable radio/tape player. The one who owns it, Alberdeana, plans to sell it to get enough money to return home down South and her mother. The other, Latoinette, hopes to steal it to pawn it for money for an abortion.
  • Dad's Vision
    In an eyeglass store, Matthew becomes intrigued by Michelle, the store clerk, whom he has caught silently screaming.