Chelsea Sutton

Chelsea Sutton

Chelsea was a 2018 Sewanee Writers Conference Playwright Fellow and a Humanitas PlayLA award winner, and her plays have been finalists for the Eugene O'Neill Playwrights Conference, PlayPenn Conference, Woodward/Newman Drama Award, Reva Shiner Comedy Award, the Ingram New Works Lab, the UNIMA Young Writers Award, the Stanley Drama Award, and a semi-finalist for the Bay Area Playwrights Festival and the...
Chelsea was a 2018 Sewanee Writers Conference Playwright Fellow and a Humanitas PlayLA award winner, and her plays have been finalists for the Eugene O'Neill Playwrights Conference, PlayPenn Conference, Woodward/Newman Drama Award, Reva Shiner Comedy Award, the Ingram New Works Lab, the UNIMA Young Writers Award, the Stanley Drama Award, and a semi-finalist for the Bay Area Playwrights Festival and the Seven Devils Conference. Her play Wood Boy Dog Fish, written with and produced by Rogue Artists Ensemble, received its second production in the inaugural season at the Garry Marshall Theatre in 2018. She co-wrote with Lisa Sanaye Dring the acclaimed Ovation Award-wining immersive horror theatre production Kaidan Project: Walls Grow Thin, also with RAE, which took over a 6-story warehouse. Her postal play/interactive fiction piece Spite & Malice premiered with Post Theatrical in March 2020 under her new story series Slipped Beyond Stories. She co-wrote the immersive pastoral site-specific play Señor Plummer’s Final Fiesta with Rogue Artists Ensemble in collaboration with West Hollywood. Her plays have been workshopped and developed with Skylight Theatre Company, Chalk Reperatory, PlaygroundLA, Theatricum Botanicum, Rogue Artists Ensemble, The Road Theatre Company, The Blank Theatre Company, Playwright’s Arena, The Production Company, Coffee and Whiskey Productions (Chicago), Wordsymth Theatre (Houston), The Eclectic Company Theatre, UCSB Department of Theatre, and Brimmer Street Theatre Company. She was a member of the Orchard Project’s 2020 Liveness Lab and CultureHub’s 2022 Writing for Electronic Formats Workshop with Erik Ehn.

She’s currently writing new plays with Moving Arts’s MADLab and The Road’s Under Construction writers groups.

As a screenwriter, Chelsea co-wrote Welcome to the Blumhouse Live, an interactive murder mystery film event for Blumhouse/Amazon Prime by Little Cinema, which was nominated for a 2021 Emmy for Outstanding Interactive Program. She co-wrote Cartoonio’s Birthday Bash, the interactive film event for HBO, and The Alienist: Who Killed Alejandro Valdez, the interactive film event for TNT, both also by Little Cinema. Her short film script And She Kept Walking was a semi-finalist for the SHIFT Creative Fund. She co-wrote the short film The Long Way, directed by Michele Santoro, which is currently on the film festival circuit. Most recently she co-wrote with Lisa Sanaye Dring the immersive ghost story narrative app for iOS and Android, Kaidan Project: Alone, produced by Rogue Artists Ensemble. She is currently co-writing the feature film D is for Dog, based on the stage play.

Plays

  • The Abundance
    After moving to a new corner of suburbia, a broke young mom is lured into a multi-level
    marketing scheme by her new neighbors and a slick-talking bottle of tonic, and must either claw
    her way to the top of the pyramid, or lose everything by leaving.
  • The Graveyard Shift
    The graveyard shift at Sparky’s Burger Barn spins horribly out of control when late-night pranks go a little too far.

    Finalist, Reva Shiner Comedy Award, Bloomington Playwrights Project, 2016.
    This play was workedshopped with the Skylight Theatre in Los Angeles, CA and produced with MadLab in Columbus, OH.
  • The Dead Woman
    April and Zoe have been estranged since college, and have only just agreed to meet up to go to dinner, when they stumble across a dead woman lying in the garbage outside a convenience store. Zoe, April and the store clerk Quinn are stuck in a waiting game, listening to the 911 busy signal, unsure what to do about the body when authorities can’t be reached. They pass the time guessing who the woman might be, if...
    April and Zoe have been estranged since college, and have only just agreed to meet up to go to dinner, when they stumble across a dead woman lying in the garbage outside a convenience store. Zoe, April and the store clerk Quinn are stuck in a waiting game, listening to the 911 busy signal, unsure what to do about the body when authorities can’t be reached. They pass the time guessing who the woman might be, if she’s homeless, and how she got there in the first place. In fantastical interludes, the dead woman plays out scenarios with the trio, the trash in the alley transforming into odd set pieces of their lives. But when Zoe starts seeing the dead woman talking to her for real, things spin out of control, and nothing seems quite right. The dead woman’s story begins to merge with Zoe’s, the dark past between Zoe and April unravels, and a romantic relationship between Quinn and Zoe bubbles to the surface. As the stories twist deeper, it's revealed that April is also dead, having killed herself in the wake of the loneliness and isolation created in the wake of Zoe’s behavior toward April and April’s future husband, and April’s long term disappointment in her ability to not become a mother. Zoe suddenly remembers how she got to this alley in the first place - she is on her way back from April’s funeral, going to visit Quinn to tell him that she is pregnant. Before Zoe could talk to Quinn, however, Zoe is hurt - and as Quinn finds her bleeding on the sidewalk, and calls 911, Zoe must finally make a choice to see if she lives or dies. The play explores questions around women’s relationships, our relationships to poverty and motherhood and sexuality, the ways we disappoint each other and ourselves when we are too scared to make a choice.
  • The Wall and the Dinosaur
    A lone, cement block wall stands in an empty lot in a dwindling suburb of Southern California. A group of locals have submitted it for consideration as an historical monument, but are derailed by mysterious graffiti that can’t seem to be painted over.

    Semi-Finalist, Bay Area Playwrights Festival
    Winner, Humantias PlayLA
  • Falling Slanted, Sad & Crazy
    A dark comedy about a kidnapping gone bad, dead crows, and Twinkies. In a feed shop in Jurupa Valley, California, somewhere along the 91 freeway, Kara is trying to find her own place in the world – which is definitely not here. Helping her brother Danny do one last job for their aunt/small-time-crime-boss Berdie, things do not go as smoothly as they should, and the sky above them seems to be literally falling....
    A dark comedy about a kidnapping gone bad, dead crows, and Twinkies. In a feed shop in Jurupa Valley, California, somewhere along the 91 freeway, Kara is trying to find her own place in the world – which is definitely not here. Helping her brother Danny do one last job for their aunt/small-time-crime-boss Berdie, things do not go as smoothly as they should, and the sky above them seems to be literally falling.

    Falling Slanted, Sat & Crazy was a Finalist for the Eugene O'Neill Playwrights Conference, 2015.
  • Wood Boy Dog Fish
    Written by Chelsea Sutton with Rogue Artists Ensemble
    Music by Adrien Prevost / Lyrics by Chelsea Sutton
    **Currently in the market for touring the Rogue Artist Ensemble production. Reach out if interested.

    A play with music.
    A modern macabre retelling of Carlo Collodi’s “The Adventures of Pinocchio.” In this world-premiere play for mature audiences, the cricket is killed,...
    Written by Chelsea Sutton with Rogue Artists Ensemble
    Music by Adrien Prevost / Lyrics by Chelsea Sutton
    **Currently in the market for touring the Rogue Artist Ensemble production. Reach out if interested.

    A play with music.
    A modern macabre retelling of Carlo Collodi’s “The Adventures of Pinocchio.” In this world-premiere play for mature audiences, the cricket is killed, Blue haunts us all, and the legendary Dogfish monster preys on our greatest fears in the tumbledown tourist trap amusement park of Shoreside, where a little wooden puppet comes to life at the hands of the wood-maker Geppetto.

    Wood Boy Dog Fish is a visual feast that combines masks, highly expressive physical performance, dance, interactive sets, multiple puppetry traditions, projected media, and sophisticated special effects and illusions – including 3D enhancement to recreate a scene inside an old carnival ride.
  • The Sudden Urge to Jump
    After her sister’s funeral, Laney tries to help her bumbling brother Witt revive his dying video store. Witt’s friend Tate lends a hand to the effort – but brings more to the mix than Laney bargained for.
  • I Say Running Is Like Breathing
    A woman runs into a slew of characters on the first day she is attempting to run across America.
  • Dot Dot Dot
    A possible love connection in a grocery store parking lot.
  • The Edge of a Disappearing Thing
    The strained relationship between three sisters hits a breaking point at the end of the world.
  • The Reason Why I Lie
    Sage and Stew are stuck at Union Station waiting for their delayed train, when Sage’s day dreams run away with her.