This play follows the creation and eventual dissolution of the friendship between Dalí, Buñuel, and Lorca beginning with their grad school days at the Residencia de Estudiantes in 1920's Madrid. Their shared love of art and literature gives way to rancor when sublimated sexual tensions rise to the surface. Sigmund Freud steps in to comment on the action, as do the ghosts of Oscar Wilde, Buñuel's father, and the Archbishop of Toledo. The poetry of Lorca is combine with the surrealist images of Dalí and Buñuel, and one character is turned into a teddy bear, creating an ever-shifting environment where the audience is never sure what will happen next.

Tycho’s Fool explores the life and mysterious death of Danish astronomer Tycho Brahe. It is set in an extraterrestrial Kaberet Astonomiske, whose actors impersonate (among others) Aristotle, European kings, a dwarf jester, and a performing moose. The play combines the live acting with multimedia projections to investigate supernovae, Tycho's connection to Shakespeare, and just who killed the leading astronomer of the 16th century.

In 1852, John Murray Spear gave up his ministry for a new calling, spreading the message of Spiritualism bringing universal harmony to the earth by constructing an Electric Messiah. While Spear claimed that the spirit of Ben Franklin was dictating instructions for the device, the audience has Steampunk Ben to introduce the women whom Spear promised would serve as Madonna to his machine, the tangle of events and romantic relationships that followed, to question Mary Shelly and Ada Lovelace about the science involved, and to ultimately ask if our beliefs are so different from those of that era.

When Emily's computer suggests she try a new medication to combat burnout, not only does she find herself with a split personality, she falls in love with her co-worker, who appears to have become a penguin.