Tara has to home school her daughter while sheltering in place. Zoe’s math assignment gets set aside for lessons in “life” from a self-inventing Trad Wife.

Mia and Ian break up while dealing with a surreal ensemble of shape-shifting women. Seduced by the grandiose ambitions of Great Men, Ian decides to reinvent the way we live, only to find himself trapped (thirty years later) in a dystopia of his own making.

Time and Setting: The near future at a corporation planning a city for survivalists.
Cast: Four women, four men. (One hour playing time)
Act One begins with Ali, head aesthetician at Citibot, trying to orient her strange new colleague for their project remodeling “Sophia Gamma,” an android prototype. Citibot’s CEO introduces a consultant to coach Sophia Gamma and make her more ideally “human,” but a free-spirited custodian inadvertently gives Sophia curious ideas, making trouble ahead. The “brainstorming” sessions of Act Two reveal an "Ultimate Android” plan for the “Ultimate City," Citibot’s survivalist project now entirely owned and directed by a young prodigy named Davos. After Ali is persuaded to allow an upload of her brain data to Sophia, Act Three involves the unsettling effects of Sophia’s evolving “conversation.” Davos, ignoring protest, interviews this transitional Sophia for a role in realizing the dream of “Eutopia.” When model “Delta” appears in the Epilogue’s vision of our future, Davos confronts her with a revelation.

A model android designed to be perfect discovers discontent.

Daria cooks for her sister, a writer absorbed by her new project on a new data-scraping tablet.

Eve gathers her family and presides over a scanty dinner while Cain, Abel, and their sisters vie for attention. Eve's three unnamed Daughters go by numbers, their existence ignored by a Book that never mentions them. How do they fare with Eve in charge?