Five identical men sit at five identical desks, silently scrutinizing the others while bemoaning their own choice to turn their back on the Moon.

John is a politician with a disease who needs help fast. He's sent to Ally, a cybernetic surgeon working in secret. Something like a friendship forms between them while John pursues his political ambition and Ally continues her cybernetic research.

THIS IS NOT A CHILDREN'S SHOW.

The Puppeteer and his two sock puppet friends, Calvin and Sir Flops-A-Lot, have teamed up to put on a family friendly play to educated children on the dangers of falling for a check scam. Except Sir Flops-A-Lot doesn't know his lines. And the puppets aren't getting paid. And the puppeteer might have turned their box shelter into this stage. Whatever happens, this is not going to be a show appropriate for children.

How Not to Fall for a Scam is a one-person play-that-goes-wrong. It uses the backdrop of children's theatre and undercuts it with two horny puppets, only one of whom actually wants to be there.

Midwestern Gothic is composed of three one-acts, connected by theme and setting. They are titles Birth, Life, and Death.

Birth follows a farmer's wife who is left at home when a confident salesman shows up with a promise.
Life follows a daughter trying to be a run away but arriving a moment too late.
Death follows three young daughters playing out their families secret drama while planning their own escapes.

Trevor and Candice have done the impossible: They've created an artificial super intelligence housed in a humanoid chassis, and they've named them Auto. Slowly and surely, they're trying to teach it the right things, up until Auto finds some unsavory websites in Trevor's search history.