A.B. Harrison

In this absurdist play, a 17th-century pirate and a 1980s businesswoman are stranded on a mysterious island after death, a purgatory-like realm guarded by a giant Kraken. Despite their vastly different backgrounds and their joint inability to find peace, they must confront their pasts, regrets, and desires in an endless cycle of death and awakening as they navigate the absurdity of their situation. As they interact and clash, they begin to question the nature of reality, time, and the meaning of their existence. Through their experiences on the island, they ultimately grapple with themes of redemption, identity, and the search for meaning in a world devoid of logic.

Its the night before teenager Emily moves away forever, and she just had a huge fight with her best friends. As Emily drifts to sleep her true feelings about her friends, boyfriend, parents, and uncertain future are revealed in this creepy, reverberating nightmare of a play.

Directors are encouraged to have fun with sound design, stage movement, mask work, and physical movement.

Who says that God isn't just a cranky two year old playing with his toys up in the sky?

When you're the king of the underworld, rule over the souls of the damned, and everyone wants something from you, what would you want most? Perhaps some space? To be... Left Alone.

Welcome to TEARS IN THE BURNING OASIS, your daily fix, the answer to your insatiable hunger for escape. This is the soap opera that knows what you want: love, deceit, murder, secret identities, mystery, and so much more!!! (Are you starting to perspire?)

Enter this week's episode at Mary Banvard-Smith-James' home where the temperature is hot and the murder is even hotter.
This is... TEARS IN THE OASIS!

Witness a lifetime in one short play. This is the story of Emmanuel.

Three sibling stay up late one Christmas night with one mission: To meet Santa. Unfortunately, their plan goes badly!

In a world full of swiping, bad dates, and awkward opening lines, wouldn't it be easier if dating was like ordering a sandwich?
Don't settle; have it your way!

Two men return from a first date, but little do they know that the other is a killer. What should be the end of a romantic night, turns into a game of cat and mouse. Who will kill the other first?

When Susie brings home her new fiance, her father isn't too pleased.

As the play opens, Roger learns that his pancreatic cancer has become terminal and must now face his mortality. Roger must set aside his stubborn and bitter ways in order to reconnect with his daughter, yet finds himself unable to pick up the phone. In order to overcome himself, Roger visits a grief therapist who specializes n hypnotic therapy to unlock his mind and explore his past loss, failures, and in the end move on peacefully. This play explores both the 1990s and 70s as the audience sees who Roger used to be, the kind of man he is today, and what his future might entail.