Zachariah Ezer is a playwright and dramaturg who animates theoretical quandaries through dramaturgical forms. His work has been developed and/or produced by New York Stage and Film, The Lark, The Tank, The National Black Theatre, Fault Line Theatre, American Lore Theater, The Workshop Theater, The Secret Theatre, Echo Theater Collective, The Prelude Festival, The Fade to Black Play Festival, The DC Black Theatre Festival, The New Cosmopolitans, The Rude Mechanicals, The Starfruit Project, BUFU, Charging Moose Media, Ruthless Nightingale, Merde, The Woodside Players of Queens, The University of Texas at Austin, and Wesleyan University. It has been published by Smith & Kraus, New World Theatre, some scripts literary magazine, and Fleas on the Dog and has been performed in New York City, Los Angeles, Chicago, Washington (state and DC), Houston, Austin, and online. Awards: The University of Texas' James A. Michener Fellowship, Town Stages' 2020 Sokoloff Arts Creative Fellowship, Best Play at The Woodside Players of Queens 2019 Summer Play Festival, BUFU's 2018 EYEDREAM Residency, and Wesleyan University's 2015 Olin Fellowship. Zachariah is a member of The Tank’s LIT Council, The Dramatists Guild, The Playwrights' Center, ScriptWorks, and Literary Managers & Dramaturgs of the Americas. MFA: The University of Texas at Austin (Class of 2023). BA: Wesleyan University.

Zachariah is also the Dramaturg-In-Residence of the Workshop Theater, an essayist (published by Gizmodo/io9, HuffPost, The University of Texas' E3W, & Bubbleblabber), and a performer in alternative rock band Harper's Landing.