Zachariah Ezer is a playwright and dramaturg who animates theoretical quandaries through dramaturgical forms. His work has been developed and/or produced by New York Stage and Film, Hi-ARTS, The Lark, The Tank, American Conservatory Theater, Fault Line Theatre, American Lore Theater, The Workshop Theater, The Secret Theatre, The Echo Theater Company, The Echo Theater Collective, The Prelude Festival, The Fade to Black Play Festival, The DC Black Theatre Festival, The New Cosmopolitans, The Rude Mechanicals, The Starfruit Project, Theater Masters, BUFU, Charging Moose Media, Dragon Productions Theatre Company, Ruthless Nightingale, Merde, The Woodside Players of Queens, The University of Texas at Austin, Wesleyan University, and Iowa State University. It has been published by Smith & Kraus, New World Theatre, some scripts literary magazine, and Fleas on the Dog and has been performed in New York City, Los Angeles, Chicago, Washington (state and DC), Houston, Austin, Ames, and online. Awards: The University of Texas' James A. Michener Fellowship, Hi-ARTS' Critical Breaks Residency, Echo Theater Company's National Playwright in Residence, Town Stages' Sokoloff Arts Creative Fellowship, Best Play at The Woodside Players of Queens Summer Play Festival, BUFU's EYEDREAM Residency, and Wesleyan University's Olin Fellowship. Zachariah is a member of The Tank’s LIT Council, The Dramatists Guild, The Playwrights' Center, ScriptWorks, and Literary Managers & Dramaturgs of the Americas. MFA: The University of Texas at Austin (Class of 2023). BA: Wesleyan University.

Zachariah is also the Dramaturg-In-Residence of the Workshop Theater, an essayist (published by Gizmodo/io9, HuffPost, The University of Texas' E3W, & Bubbleblabber), and a performer in alternative rock band Harper's Landing.