Jonathan Spector

Jonathan Spector

Jonathan Spector is a playwright based in Oakland, California.

His play EUREKA DAY recently played The Old Vic in London (co-produced with Sonia Friedman Productions), starring Helen Hunt and Mark McKinney. It received a WhatsOnStage Award Nomination for Best New Play and was a Top Ten Play of 2022 in both The Spectator Magazine and The I-News. It premiered at Aurora Theater in Berkeley in 2018,...
Jonathan Spector is a playwright based in Oakland, California.

His play EUREKA DAY recently played The Old Vic in London (co-produced with Sonia Friedman Productions), starring Helen Hunt and Mark McKinney. It received a WhatsOnStage Award Nomination for Best New Play and was a Top Ten Play of 2022 in both The Spectator Magazine and The I-News. It premiered at Aurora Theater in Berkeley in 2018, where it won all of the San Francisco Bay Area’s New Play Awards: Glickman Award, Theater Bay Area Award, Bay Area Theater Critics Circle Award, and Rella Lossy Award. It was subsequently produced in New York City with Colt Coeur where it was a New York Times “Critics’ Pick” and nominated for a NY Drama Critics Circle Award. It has been produced at Asolo Rep, Syracuse Stage, Mosaic Theater, InterAct, Burgtheater (The National Theater of Austria) and the State Theater of South Australia. He is adapting it as a feature film with Lorne Michaels’ Broadway Video.

THIS MUCH I KNOW premiered at Aurora Theater and received the Edgerton Award, Glickman Award, and Bay Area Theater Critics Circle Award. It will next be seen at London’s Hampstead Theater and Theater J in Washington DC. It was developed through the Ground Floor at Berkeley Rep, PlayPenn, New Harmony Project, Playwrights Center, and Manhattan Theater Club.

BEST AVAILABLE was a South Coast Rep Elizabeth George Commission, and developed through SCR, Ashland New Play Festival, Playwrights Center, and JAW at Portland Center Stage. It will premiere in May at Shotgun Players in Berkeley.

Other plays include GOOD. BETTER. BEST. BESTED. (Custom Made Theater, Bay Area Playwrights Festival), SEISTA KEY (Bay Area Playwrights Festival, Crowded Fire Matchbox Series), WHAT COMES NEXT (Portland Stage’s Little Festival of the Unexpected) and IN FROM THE COLD (Just Theater, Global Age Prize).

Jonathan has been a MacDowell Colony fellow, a Playwrights Center Core Writer, a Playwrights Foundation Resident Playwright, a SPACE at Ryder Farm Creative Resident and received commissions from South Coast Rep, Roundabout Theater, Manhattan Theater Club, La Jolla Playhouse and Aurora Theater.

He was the long-time Co-Artistic Director of the Berkeley-based Just Theater, where his producing highlights include the Bay Area premieres of Rob Handel’s A Maze, Jackie Sibblies Drury’s We Are Proud to Present… and Anne Washburn’s The Internationalist. He is also a former Literary Manager and Associate Artistic Director of Playwrights Foundation/Bay Area Playwrights Festival, where he supported the development of over 100 new plays by writers including Marcus Gardley, Samuel D. Hunter, Sheila Callaghan, Annie Baker, Lauren Yee, Jen Silverman, and Thomas Bradshaw.

Jonathan has taught theater and playwriting at San Jose State University, Sonoma State University, University of San Francisco, A.C.T., and his alma mater, the much-besieged New College of Florida.

In his misspent youth as an aspiring director in New York City, he was a member of the Soho Rep Writer/Director Lab, the Lincoln Center Directors Lab, and a frequent collaborator with The Civilians.

Jonathan is represented by CAA and Kaplan/Perrone.

Plays

  • Best Available
    We're not going to talk about the sudden departure of our previous Artistic Director, because we want to focus on the future, not the past. The one thing we're all on the same page about it is: We Need Change. Change that builds on the remarkable legacy of our institution.

    It's just like the Ancient Blessing, May You Live In Interesting Times.
  • Eureka Day
    The Eureka Day School in Berkeley, California, is a bastion of progressive ideals. In weekly meetings Eureka Day’s five board members develop and update policy to preserve this culture of inclusivity, reaching decisions only by consensus. But when a mumps outbreak threatens the Eureka community, facts become subjective and every solution divisive, leaving the school’s leadership to confront the central question...
    The Eureka Day School in Berkeley, California, is a bastion of progressive ideals. In weekly meetings Eureka Day’s five board members develop and update policy to preserve this culture of inclusivity, reaching decisions only by consensus. But when a mumps outbreak threatens the Eureka community, facts become subjective and every solution divisive, leaving the school’s leadership to confront the central question of our time: How do you build consensus when no one can agree on truth?
  • This Much I Know
    A psychology professor's search for his missing wife launches us on a time-hopping fugue, weaving together the stories of Stalin's daughter defecting to America, the son of a white supremacist growing to doubt the beliefs he was raised with, and the secret despair of becoming an accidental killer. This Much I Know is a wildly theatrical exploration of how we make decisions, how we change our minds,...
    A psychology professor's search for his missing wife launches us on a time-hopping fugue, weaving together the stories of Stalin's daughter defecting to America, the son of a white supremacist growing to doubt the beliefs he was raised with, and the secret despair of becoming an accidental killer. This Much I Know is a wildly theatrical exploration of how we make decisions, how we change our minds, and how much responsibility we bear for things we do not control.
  • Siesta Key
    It’s Florida…sometime in the future. Violent militia rule is followed by violent resistance. Years later, the atrocities of this period are filtered through a cinematic lens and distant memory. Through shifting time and unreliable narrators, Siesta Key investigate the complexity of moral absolutism, its personal cost, and the elusiveness of truth in acts of hate.
  • What Comes Next
    Set in the Sea Ranch community on the Sonoma Coast, What Comes Next is about the distance between who we are and who we were, the sneaky, creeping influence of technology on our lives... and it's about Jews.
  • Good. Better. Best. Bested.
    A one-night journey down the Las Vegas strip, an interwoven story of bachelorettes, magicians, street performers, gamblers, and tourists. As the nighttime festivities get under way, an earth-shattering event happens half a world away. In the midst of this tragedy and the chaos it unleashes, the characters must reckon with how much to let it disturb their good time.
  • Adult Swim
    A magic realist play in which a pair of teenage lifeguards struggle to unwrap the mysteries of life during in a hot, slow summer amongst bratty kids, killer ping pong and lots of whistle-twirling.