Matt Williams

Matt Williams

Matt Williams has worked in theater, film and television as a writer, director, and producer. Playwriting credits include Fear, Actually, We’re F*cked, Bruce Lee Is Dead and I’m Not Feeling Too Good Either, Jason and the Nun, and Between Daylight and Boonville. Television: Roseanne, Home Improvement, The Cosby Show, A Different World, The Conners, Soul Man, Costello, Carol & Company, Buddies, Thunder Alley...
Matt Williams has worked in theater, film and television as a writer, director, and producer. Playwriting credits include Fear, Actually, We’re F*cked, Bruce Lee Is Dead and I’m Not Feeling Too Good Either, Jason and the Nun, and Between Daylight and Boonville. Television: Roseanne, Home Improvement, The Cosby Show, A Different World, The Conners, Soul Man, Costello, Carol & Company, Buddies, Thunder Alley, and Ready, Jet, Go! Film: Where the Heart Is, What Women Want, What Men Want, The Keeping Room, Bernie, Wild Hearts Can’t Be Broken, Walker Payne, Firelight, and As Cool As I am.

Plays

  • Actually, We're F*cked
    A comedy about fertility, infidelity and the end of the world. Four millennials order take out, drink too much wine and argue over how to unf**k the planet. When someone shares a life-changing announcement, they start to question their relationships, their beliefs and whether they should eat the sushi from the deli with the cat in the window.
  • Fear
    A little girl's disappearance in the woods near Princeton, NJ prompts a tense confrontation among a neighborhood plumber, professor, and teenage boy. In this gripping psychological thriller, three neighbors discover how far they are willing to go to defend the values - and the secrets - that define them.