FULL LENGTH, ONE-ACT - In the year 2037, on the eve of an historic landing, NASA secretly hires six Hollywood writers to brainstorm the first words on Mars.

ONE ACT PLAY - Paul Burton Judd is sentenced to die via electric chair. Two prison cooks (inmates themselves) are tasked with prepping his requested last meal: a simple peanut butter & jelly sandwich. When the cooks discover that Judd has a severe peanut allergy and is attempting to take his own life hours before his execution, they are forced into a high-stakes debate about whether or not to proceed. As the prisoners wrestle with the question of forgiveness, it soon becomes clear that one of the men is still struggling to forgive himself.

ONE ACT PLAY - In an unnamed suburb in the 1980s, a group of students of various ages are recruited by a scheming boy named Niles to get revenge on the despicable school bully, Gus. Each of the five teens are missing one of the five senses -- sight, hearing, taste, touch, and smell. The play, which begins and ends in an isolated treehouse, consists of a series of vignettes as each character's story is illuminated. What eventually becomes clear is that Niles's plan does not involve a simple prank... He needs each of his companions in order to recreate an Ancient Egyptian ritual to steal each of the bully's five senses.

10 MINUTE - Heather and Brian sit next to each other as passengers on a legendary new rollercoaster, Masochist Mountain. As their car slowly ascends the slope, Heather begins to realize that the man beside her is not who he seems. For that matter, neither is the ride.

10 MINUTE - Maverick, an action movie star-in-the-making, returns to a tattoo parlor in order to get a signature on a release form. He needs permission from the tattoo artist, Imogen, to allow his new ink to be featured on the silver screen... But Imogen refuses to capitulate. What starts as a debate about artistic ownership slowly becomes a hostage situation.

10 MINUTE - Childhood™ depicts a conversation between two people who approach the concept of, yes, childhood from two divergent points of view. Cynthia, a kindergarten teacher, considers youth to be a time of limitless wonder, a sacred collection of sights, sounds, and smells that spark imagination without bounds. Manny is a patent lawyer. It is his role, whether he likes it or not, to admit that many of the corporate entities that contribute those sights and sounds and smells can claim them as intellectual property. He has trademarked, for instance, the scent of Play-Doh. Cynthia finds that unconscionable. Their repartee in his patent office results in a detente of sorts as they come to an understanding that may satisfy both perspectives.