Isidore Elias

Isidore Elias

Isidore Elias is a playwright, librettist and songwriter whose work has been produced in the US, Canada and Europe. Honors: grants from the BMI Foundation for his musical, I Don’t Do Club Dates (book and lyrics) and the NYS Council on the Arts for his play, Tiger Slayer; commissions from the Royal Carre’ Theatre in Amsterdam for his musical, Move! (book and lyrics) and Cross-the-Pond Productions, London, for...
Isidore Elias is a playwright, librettist and songwriter whose work has been produced in the US, Canada and Europe. Honors: grants from the BMI Foundation for his musical, I Don’t Do Club Dates (book and lyrics) and the NYS Council on the Arts for his play, Tiger Slayer; commissions from the Royal Carre’ Theatre in Amsterdam for his musical, Move! (book and lyrics) and Cross-the-Pond Productions, London, for his play, Test Tube Baby of Mine; Carbonell nomination for best new work for his musical, The Bialy Sisters (book); Outstanding Achievement Award Great American Song Contest for his song, Guns. Recent productions of his plays include Muffin (Nylon Fusion Theatre, NYC), Jim Silverstein's Will (Fresh Produc'd, NYC), Willow Grove (Metropolitan Playhouse, NYC) and Goods (The Vortex, NYC). He is currently working on the libretti of two new operas: Icarus Rising (working title) with composer Elliot Sokolov and The Peace, with composer Nizan Leibovitch. Past productions of his musicals include Move! (book and lyrics, Royal Carre Theatre, Amsterdam), Falling Apart (book and lyrics, Century Theatre, NYC), The Bialy Sisters (book, Actors Playhouse, Miami). As an actor, he was last seen in Simone at American Globe Theatre and Goods (which he also authored) at The Vortex. Performs solo programs of his monologues. Developing a vaudeville act, Bucky and His Friends, for which he is providing book, music and lyrics. Teaches writing for musical theatre at the Puerto Rican Traveling Theatre as well as privately. Long-term member of the BMI-Lehman Engel Musical Theatre Workshop and an alumnus of the ASCAP Musical Theatre Workshop. Proud member, The Dramatists Guild.

Plays

  • Allegation
    A male executive is brought before his superior to defend himself against allegations of sexual harassment made by two of his female colleagues. His defense is strong, but so are the women's accusations. The chief executive must decide what is best for the company.
  • Jim Silverstein's Will
    A brusque man is called to an attorney's office to hear what was left to him in the last will and testament of his recently deceased elderly friend. After the lawyer's secretary rebukes him for his unseemly display of umbrage at his paltry bequest, both realize that it was Jim's will that they get to know one another.
  • Deathmeister
    These no-longer young professionals, after earning enough to make a comfortable life for themselves, have started a family late in life. They've read everything there is to read about parenting, can provide their son with anything he can possibly want, and he takes advantage of it. On this very important day in their social life, they're about to find out who's really in charge of the household.
  • Muffin
    In 1959 (pre-Roe v. Wade) suburban America, a couple learns that their pretty, sheltered, mentally handicapped 16 year-old daughter is pregnant. With the help of their family doctor, they have to decide which of the family’s two problems is in more critical need of a solution: deciding what to do about the pregnancy, or finding out who is responsible.
  • A Wife In The Theatre
    Aspiring playwright who supports himself working in a small factory is invited to the boss' home for dinner. After the meal, his talentless, irresistibly tenacious wife insists upon an audition. Great role for a female physical comic.
  • A Little Something
    Eva has made an mysterious object that gives her a great deal of comfort. She shows it to Val, her nervous man friend. Though he has no idea what it is, he likes it so much he refuses to give it back, to Eva's's great consternation.
  • Baby Love
    A very young couple who got married because of an accidental pregnancy deal with the hardships of caring for a disabled infant, running a house and making a living. Before they were married, a nurse cousin offered to introduce them to a doctor who would have helped them terminate the pregnancy. They wonder if it was a mistake not to take her up on it. Set in the early 1970s (pre-Roe v. Wade).
  • War Games
    After being subjected to the rude behavior of a vulgarian seated next to her on the subway, a young wife declares that the world would be a better place if there were no men in it, positing that technology can make such a world possible. Setting sympathy aside, her husband disagrees, insisting that the opposite possiblity is equally viable.
  • Townies
    The time: 1971. The place, Buffalo, New York (the Queen City). Two male students at the State University, both from NYC (the First City), assume they can take advantage of two local working girls. On this night, they find out how wrong they are.
  • The Other Mother
    A young boy conducts a debate in quiz show format between his mother and stepmother on the subject of who really cares about him.
  • Visitors
    Meyer, a nebbish, goes up to the roof of his high-rise apartment building with the intention of leaping to his death. His plans are foiled when he discovers that aliens have made an emergency landing there. Afraid of each other at first, they learn that they can help each other. When the vehicle is repaired, Meyer flies off with them to a promising new life.
  • A Room Of His Own
    They've been happily married for over fifty years and are now in their eighties. But he thinks they may have missed out on something and suggests, as an experiment, that they start seeing other people and report back to each other about what it's like. She's not overly enthused about the idea but agrees to go along with it anyway.