Beth Wood

Beth Wood

Beth is the Associate Artistic Director at Cleveland Public Theatre. She joined the CPT staff in 2007. A director, actress, administrator, designer and educator, she holds a BA in Communications and Theatre from John Carroll University. Directing credits include BOOM by Peter Sinn Nachtrieb (third U.S. production), Why Torture is Wrong and the People Who Love Them by Christopher Durang (second U.S. production...
Beth is the Associate Artistic Director at Cleveland Public Theatre. She joined the CPT staff in 2007. A director, actress, administrator, designer and educator, she holds a BA in Communications and Theatre from John Carroll University. Directing credits include BOOM by Peter Sinn Nachtrieb (third U.S. production), Why Torture is Wrong and the People Who Love Them by Christopher Durang (second U.S. production), FEVER/DREAM by Sheila Callaghan, The SantaLand Diaries by David Sedaris at Playhouse Square (2011, 2014), Antebellum by Robert O’Hara (second U.S. production), There Is a Happiness That Morning Is by Mickle Maher, The Loush Sisters DO the Nutcracker, the National New Play Network Rolling World Premiere of in a word by Lauren Yee. In addition to her work with scripted productions, Beth co-created The Loush Sisters for Playhouse Square in 2011 and CPT in 2013. This season, Beth will be directing and co-creating a new Loush Sisters production, The Loush Sisters Love Dick’ns: Great Expectations, and directing Nikkole Salter’s powerful play, Lines in the Dust. Acting credits include Hedwig and the Angry Inch, Mrs. Bob Cratchet’s Wild Christmas Binge, A Bright Room Called Day, Fefu and Her Friends, The Rocky Horror Show, Our Town, Pulp, Matt & Ben, Anna Bella Eema (co-production with Theater Ninjas), Open Mind Firmament, Don’t Call Me Fat, Akarui, Standing on Ceremony, Earth Plays and The Loush Sisters DO the Nutcracker. As a director of adventurous scripted work,

Recommended by Beth Wood

  • in a word
    3 Jul. 2014
    A beautiful play about loss and forgiveness. Yee uses unexpected imagery and witty word play to take us Fiona’s journey through grief. This is a quirky, lovely play.