Dan Daly is a Brooklyn based scenic designer and visual artist experimenting with writing plays that grow from the design perspective. Having written extensively as a child, then switching to designing as an adult, Dan is using the time during the COVID-19 shut down to reengage with the playwriting process from a new angle.
Dan has held positions at the Hangar Theatre, the Corkscrew Festival, and the Winnipesaukee Playhouse. Dan’s design work has been seen as a part of the Under the Radar Festival at The Public, at Brookfield Place with Third Rail Project’s site specific work Oasis, at RuPaul’s Drag Con where he designs the booth for Monét X Change, and at the Barn Arts Collective in Southwest Harbor, Maine where he built an inflatable theater for puppetry shows, readings, and other...
Dan Daly is a Brooklyn based scenic designer and visual artist experimenting with writing plays that grow from the design perspective. Having written extensively as a child, then switching to designing as an adult, Dan is using the time during the COVID-19 shut down to reengage with the playwriting process from a new angle.
Dan has held positions at the Hangar Theatre, the Corkscrew Festival, and the Winnipesaukee Playhouse. Dan’s design work has been seen as a part of the Under the Radar Festival at The Public, at Brookfield Place with Third Rail Project’s site specific work Oasis, at RuPaul’s Drag Con where he designs the booth for Monét X Change, and at the Barn Arts Collective in Southwest Harbor, Maine where he built an inflatable theater for puppetry shows, readings, and other performance events. Dan designed the second ever production of Nico Muhly’s opera Dark Sisters at Pittsburgh Opera as well as the premier of Grace Oberhofer’s opera adaptation of A Dolls House at the Corkscrew Festival. MFA: Carnegie Mellon University.