Chandler Hubbard

The sun stopped rising, and that's not the weirdest thing that happened today.

Lost, listless and lonely, Poppy suddenly finds herself transported to - well, she's not quite sure where, when, or why she is. All she knows is the sun stopped rising this morning and she's trapped in a witch-catching cage. Rumor has it the last witch in the world has just died, but that hasn't stopped the locals from trying to find someone to blame. Poppy must join a ragtag group of dullards, cowards and schemers to find a way to save the world and get back home, assuming home is still where she left it.

2020 American Theatre Critics Association/Steinberg New Play Award Citation.

Newly-promoted Kim Hawkins finds herself lost in the bureaucracy of the Carson County Animal Control as she tries to settle a dispute between two warring dog owners. A tragicomedy of control, communication and compassion.

A man is brought before a review board when a troubling behavior becomes a pattern. As he fights his demons, his demons fight back.

You're a new You every night.

In the days of yore and lore but also the days of today and tomorrow, Ari is a young girl who has been imprisoned beneath the earth by her father. As young girls and their fathers sometimes do.

Ari can dance. And, by God, Ari is gonna dance.

Dexter is an inventor, also imprisoned with Ari in the basement. Carson is locked in a tower, punished for his inventor father’s misdeeds, not aware that his deepest longing is to fly towards the sun.

Every day Dexter goes into the underground labyrinth he’s created, designed to keep Ari’s half brother from seeing the light of day.

Oh, Ari’s half brother is imprisoned down there. That’s a whole thing, too. Ari wants to teach him to dance. That’s a whole thing, too.

Phaedra wants to live a normal life, despite being Ari’s younger sister and caretaker for her psychologically catatonic mother.

Fay used to dance. Fay doesn’t dance anymore. Fay doesn’t speak anymore. Fay doesn’t do much of anything anymore. Fay had sex with a bull to ruin her husband Roy’s life. Roy did not like this much.

Roy does not like much of anything anymore.

Hawk and Matilda, Ari’s aunt and cousin, Fay’s sister and niece, are wanderers, nomads, witches, looking for family but never quite finding one. They also have blood on their hands. Literally. That’s a whole thing.

Young Man is a young man (or several) destined to be devoured.

And Asterion is a Maneater. He eats Men. He’ll eat you too, if you let him.

A woman throws a dinner party. Everything goes according to plan.

It's a surprise party!

And YOU are invited!

For ten years, The More-Than-Halfway House and its owner, Ramona Jones, have provided a safe haven for runaway queer youth, operating outside the law. Until today, when the law finally catches up.

All plays are about family, even when they aren't.
But this one very much is. Even when it isn't.
Especially when it isn't.

From the mind of innovative local auteur Jack Coburn comes Apple, Tree; Far From, Not, a new work about family, faith, and fear. Kingston and Queenie live a storybook life of blissful domesticity with their four perfect children, McKnight, Bishop, Rookie and Spawn. A life upended when family secrets rip mother from children, husband from wife. A topsy-turvy exploration of what family means - and what it doesn't mean.

The house is quiet. The world outside is hungry.

The myth, the monster, the woman: Medusa. She's been confined to Hell for thousands of years. Today, her sisters and fellow Gorgons come to rescue her, but the chains binding Medusa can only be broken by the prisoner herself. It's a reckoning and a retribution; it's a bildungsroman and a beheading.

Adam is fine.
Well, Adam’s okay.
Adam & John are great, thank you very much.
Adam & John & Stephen are, uh, not very good at all.
Stephen doesn’t know this yet.
Hell, John doesn't even know that.
Okay, Adam’s not fine.
Adam's really not fine at all.

In this sitcom-having-panic-attack, as the sun rises and the walls close in, three queer men must learn to live, laugh and love, before it’s too late.

In every story there's a circle: Helen of Troy is abducted from her home in Ancient Greece. In every story there's a circle: Helen of Troy is abducted from her home in the Antebellum South. The story repeats, so the story must be told.

Ten years after a national tragedy befalls a rural family, the remaining members are given a chance at redemption and reconciliation when they stumble upon a young man who bears a striking resemblance to their lost son.

come quick
it's your son
he's done something bad

After a life-shattering tragedy, a mother must confront her son about the crime he has committed, with all the patience and poise that is demanded of the mothers of violent criminals. Through her desperate attempt to understand her son's motives, Your Son explores the collision of grace and pain; how we survive the unsurvivable, grieve the ungrievable, forgive the unforgivable.