Hilary Bettis writes plays, TV and movies. She is a two-time recipient of the Lecomte du Nouy Prize from Lincoln Center and is a 2015 graduate of the Lila Acheson Wallace Playwright Fellowship at The Juilliard School. Bettis has received fellowships and residencies at the O’Neill National Playwrights Conference, Bay Area Playwrights Festival, 2050 Fellow at New York Theatre Workshop, John N. Wall Fellow at Sewanee Writers’ Conference, SPACE at Ryder Farm, Writer-In-Residence at Cape Cod Theatre Project, DNA Series at La Jolla Playhouse, New York Foundation for the Arts Fellow, Playwrights’ Week at The Lark, NNPN’s National Showcase of New Plays, Audrey Residency at New Georges, Two River Theater, WildWind at Texas Tech, Great Plains Theatre Conference, The Kennedy Center/NNPN MFA Workshop and a Sloan/EST Commission. Her plays have been recognized by the Kilroys every year since its inception. She has been a Runner-Up for the Alliance Theatre’s Kendeda Award, Nuestras Voces National Playwriting Competition, American Blues Theater’s Blue Ink Award and the Leah Ryan Prize. She is currently working on a commissioned bilingual play, Magic City, with Michel Hausmann/Miami New Drama. The Ghosts of Lote Bravo received a National New Play Network Rolling World Premiere at the Unicorn Theatre in Kansas City, MO, Borderlands Theater in Tucson, Arizona. Her play, Alligator, received an Off-Broadway production with New Georges and The Sol Project, and was nominated for a 2017 Drama Desk for Best Music in a Play. As a screenwriter, Bettis has written and produced two short films, B’Hurst and The Iron Warehouse, which have screened at multiple film festivals across the globe. Hilary is currently in her second season as Story Editor on FX’s Emmy-nominated show The Americans. She is developing a project at The Weinstein Company with Alyssa Milano producing, as well as another project at Fox 21 TVS with producer Bob Levy. She lives in Brooklyn, NY with her cat and her actor-fiancé.