“ A lush, eerie play that feels like the equivalent of watching an intricate but claustrophobic dance. Every line of this gothic fairytale is carefully constructed, some taking on double or triple meanings that only unravel as the mysteries of the house do. This would be an unsettling visual delight in the right hands. ”

“ This play is a coming-of-age story. This play is a coming-out story. But this play is also about being haunted by a Chicanx trans masc character actor, dueling your ex(?) best friend's ex-boyfriend for her honor with the fencing sword you picked up at the thrift shop earlier that day, and how coming home after you tried to "make it out" can feel like an early grave but it doesn't have to be if you make the choice to fight for the person you've become rather than slip back into the scared person you used to be. Incredible stuff. ”

“ An atmospheric slow-burn, AT THE END OF THE HALL could be described as Groundhog Day but make it gothic horror, where the claustrophobic time loop (or is it a time loop?) itself is as much of a haunting as the ghosts. As the boxes these characters are trying to pack seemingly unpack themselves, they will also be forced to unpack their relationships with their mothers and each other, even as they would both like to keep those conversations stored on ice. ”

“ SPRAWL is a daring work about the ethics of appropriating trauma for art told through but not limited to a fracturing timeline, a game show, a wedding banda, a play within a play, a commencement speech, and an extended Death Note reference. What ties these all together is Dee, a character who manages to frustrate and draw sympathy at once as they grieve the loss of their relationship with their friend/unrequited love through increasingly questionable means. A frenetic, sometimes tragic, and gorgeous play. ”