Jessica Marie Fisher

It is 1949, and Whitney feels isolated. James thinks Whitney is unwell. Doris is a homosexual...so is Maggie. Maggie is pregnant and anxious. Frank doesn't know how to help her. Richard has PTSD from the war and drinks too much. Helen doesn't know how to help him either. Doctor Walter Freeman II claims that he has a solution.

It is senior year of winter break 2015, and best friends Lauren and Liam are parked in cars roughly 13 miles from each other. Liam calls Lauren frantically because he has a crush on a boy, which is new. These two 17-year-olds frantically discuss sexuality, family, relationships, all while grappling with their own imperfect friendship. *Perfect for virtual performance, as it is set over the phone*

While Gabby was in college in New York, she noticed her step family in Colorado Springs becoming increasingly religious. She felt less welcome each time she went home for holidays. One summer she saw physical abuse and made the impulse decision to move her mother out. With this choice, she saved her mom, but she also destroyed her family unit. Her step brothers stopped talking to her and her step father soon died.

Four years later, Gabby is living with her fiance Autumn when she receives a wedding invitation from one of her ex-step-brothers. She's surprised to find that she actually wants to attend. At the wedding in the megachurch capital of the US, Gabby and Autumn confront her trauma, both of their feelings of loss, and the shortcomings of their life without community.

What is lost when you say goodbye to family? What is gained when you can hold again that which you let go? Why do we stay, and how does it feel to know we can never return? Why do we yearn to know for certain the things that we never possibly can?

Louisa spends her evenings pretending she isn’t all alone: imagining the conversations she should, could, and would have with the men in her life who are currently inaccessible.

Whitney is unwell. Maybe. Doctor Walter Freeman has a solution. James wants to take him up on it. Or maybe he doesn’t. Or maybe

When Emily moves back to her hometown and opens a new recording studio she hires Arlo as the audio engineer. They broke up eighteen years ago... but Arlo is the best sound guy in town and Emily is now a mother (and a lesbian), so it’s fine. It’s fine.

Corrine is a 17-year-old religious, hardworking girl living in 2010 Colorado Springs. Veronica used to be Corrine's babysitter, but is now a 27-year-old drug dealer. Corrine orders ritalin for studying and Veronica is the deliverer. It's an unexpected reunion that leads to plenty of discoveries. This play is about queerness, relationships, growing up, sex, imagination, and loneliness.

James and Whitney are married and they have just returned from Whitney's ex husband's funeral. Whitney is depressed, James wants to help.

Three cousins who are probably too old to have to sleep in the Kids Room talk family, growing up, divorce, and booze in their grandma's attic.