An ensemble cast presents the changing lives of five diverse American women, all of whom enter war production workplaces or wartime situations during the 1940s. Their stories are juxtaposed with additional roles iconic of female and male individuals from the American WWII period.

The play begins with four true-to-life women-characters from the 1930’s who meet and talk amidst the world's upheavals. Those four characters then evolve into a group of Partisan resisters arrested on the eve of the Paris deportations. Finally, the four actors step outside the characters they have created in order to explore why such stories remain relevant.

Ten minutes in the Garden of Eden... Redux.

An Everyman and an Everywomen share a table for two and get to know each other.

An ensemble-cast (including a chorus which chants in contemporary verse) presents a visceral and exhilarating expose of contemporary values: A vibrant, accessible, and relevant re-telling of MEDEA, imbued with current events cut from the American landscape, the play was a selection of THE BEST AMERICAN SHORT PLAYS series.

In a possible future, four human characters answer questions about the past, about themselves, and about Chekov's The Cherry Orchard. One act in 30 pages.

Waiting for a Table at the Garden of Eden is a full-length work structured by modules that can be played up or down, rearranged or smoothed, depending on a production’s preference. Every unique creation should further the play’s trajectory that skewers the social and political constructions of romance. The play requires two skilled performers who, as contemporary versions of Adam and Eve, take aim at the canonical rom-com.