Edward Thomas-Herrera

Edward Thomas-Herrera

Edward Thomas-Herrera is a Salvadoran-American native of Houston, Texas, currently residing in Chicago, Illinois. He graduated from Rice University with a bachelor’s degree in musicology before studying directing at the Theatre School, DePaul University.

Since leaving drama school, he has become a fixture of Chicago’s solo performance scene. He was a long-time artistic associate with Live Bait...
Edward Thomas-Herrera is a Salvadoran-American native of Houston, Texas, currently residing in Chicago, Illinois. He graduated from Rice University with a bachelor’s degree in musicology before studying directing at the Theatre School, DePaul University.

Since leaving drama school, he has become a fixture of Chicago’s solo performance scene. He was a long-time artistic associate with Live Bait Theatrical Company from 1991 to 2008 and a regular contributor to THE ENCYCLOPEDIA SHOW from 2010 to 2012. He is also one of the co-founders of BoyGirlBoyGirl, an ensemble of solo theatre performers which mounted over a dozen shows from 2004 to 2016.

Edward is the author of five plays (OF DIAMONDS AND DIPLOMATS, MONDO EDWARDO, THE PARAGRAPH, THE BRITISH EXIT, and DRESSING FOR BATTLE), two solo shows (COCKTAIL CONFIDENTIAL and FUN WHILE IT LASTED: A FAREWELL TOUR), and one as-of-yet-to-be-produced musical (HELL IS FOR THE VERY HOT). Currently, he is hard at work on a new script entitled OPPORTUNISTIC CHORUS GIRLS OF 1934.

In addition, Edward has directed three solo shows (MISSING MAN, MATERIA PRIMA, and AND SOME CAN REMEMBER SOMETHING OF SOME SUCH THING) for Live Bait, one opera (THE SUITCASE OPERA PROJECT) for Chicago Opera Vanguard, and five staged readings of really terrible movies scripts for IT CAME FROM THE NEO-FUTURARIUM for the Neo-Futurists.

Plays

  • Dressing for Battle
    Agamemnon, the mythical king of Argos, has just triumphed in the Trojan War, and his wife, Queen Klytemnestra, has prepared a magnificent banquet to celebrate his safe return home. In the privacy of her boudoir, Klytemnestra changes into a glamorous evening ensemble with the assistance of her faithful slave, the Nurse, and casually reveals the true nature of the feast: at some point during the festivities,...
    Agamemnon, the mythical king of Argos, has just triumphed in the Trojan War, and his wife, Queen Klytemnestra, has prepared a magnificent banquet to celebrate his safe return home. In the privacy of her boudoir, Klytemnestra changes into a glamorous evening ensemble with the assistance of her faithful slave, the Nurse, and casually reveals the true nature of the feast: at some point during the festivities, armed conspirators (led by her lover Aegisthos) will burst into the banquet hall and assassinate Agamemnon, allowing Klytemnestra to ascend the Argive throne. The Nurse objects and tries to convince her mistress that such a plot will have dire consequences, but Klytemnestra is unswayed by the Nurse’s arguments. After assuring the Nurse that everything will turn out for the best, Klytemnestra leaves the chamber instructing the Nurse to bolt the door behind her back and wait until the deed is done.

    Seven years later, Klytemnestra (now the sole ruler of Argos) has just received word that her estranged son Orestes has arrived in Argos, quite possibly to seek revenge on his mother for the death of his father. The Nurse pleads with the Queen to flee, but Klytemnestra feels strangely honor-bound to face Orestes. But first… Klytemnestra wants to change her outfit. She is determined to greet death looking every inch like a queen, and so once again, the Nurse helps her dress. After freeing the Nurse from servitude and persuading her to escape a gruesome fate, Klytemnestra opens her boudoir door and awaits Orestes’s arrival as her daughter Elektra curses her from offstage.
  • The British Exit
    Edmund is a graduate directing student, mounting an uninspired production in the hopes that it will save his faltering chance at earning an MFA. But when his faculty advisor Mr. Swovik falls asleep during the performance, not even the sudden appearance of Polish theatre giant Jerzy Grotowski can save him…
  • The Paragraph
    In 1958, movie star sex symbol Lana Turner became the center of one of Hollywood’s biggest scandals: the stabbing death of her lover, small-time hood Johnny Stompanato, at the hands of her 14-year-old daughter, Cheryl Crane. THE PARAGRAPH examines the story in two parallel time lines: the events leading up to Stompanato’s death, and the events following his death that lead to Turner’s “comeback” star turn in...
    In 1958, movie star sex symbol Lana Turner became the center of one of Hollywood’s biggest scandals: the stabbing death of her lover, small-time hood Johnny Stompanato, at the hands of her 14-year-old daughter, Cheryl Crane. THE PARAGRAPH examines the story in two parallel time lines: the events leading up to Stompanato’s death, and the events following his death that lead to Turner’s “comeback” star turn in Douglas Sirk’s “Imitation of Life.” Both are punctuated throughout with recreations of iconic scenes from Turner's movies.

Recommended by Edward Thomas-Herrera

  • Arabia, Arabia!
    8 Jan. 2021
    Funny and fast-paced, this is a show I’d love to see on stage. Who knew the King of Denmark funded an expedition to Arabia? I certainly didn’t. And whereas I wouldn’t consider this satirical history anything like a documentary, it certainly has a lot to say about how the West regards the non-European world and vice versa.