Joe Stollenwerk

Joe Stollenwerk

Joe (he/they) is a playwright, director, educator, actor, and cabaret performer.
His work as a playwright and all other areas of theatre focus on 1) creating more and better roles for women, 2) a feminist and queer aesthetic, 3) playful metatheatricality, and 4) humor, even in the tragic.
Joe’s adaptation of Margaret Atwood’s THE HANDMAID’S TALE was professionally produced at the Cincinnati...
Joe (he/they) is a playwright, director, educator, actor, and cabaret performer.
His work as a playwright and all other areas of theatre focus on 1) creating more and better roles for women, 2) a feminist and queer aesthetic, 3) playful metatheatricality, and 4) humor, even in the tragic.
Joe’s adaptation of Margaret Atwood’s THE HANDMAID’S TALE was professionally produced at the Cincinnati Shakespeare Company, Know Theatre in Cincinnati, The World’s Stage in Milwaukee, and Curio Theatre in Philadelphia, prior to temporary withdrawal of the rights due to the Hulu series.
THESE WOMEN OF TROY, Joe’s new adaptation of Euripides, premiered at the University of South Dakota in 2022. He directed his original plays CATALINA and NINE SHORT PLAYS FOR THE THEATRE at the Cincinnati Fringe Festival. His plays have also been workshopped at the Mid-America Theatre Conference, the Aronoff Center for the Arts in Cincinnati, Indiana University, the University of South Dakota, The Old Lumber Company, and of course, over Zoom.
He also wrote the book TODAY IN HISTORY: MUSICALS and numerous articles and columns for Writer’s Digest and Personal Journaling.

Plays

  • Twelve Short Plays for the Theatre
    This is a fast-paced and fun collection of short pieces that explore various facets of theatre, performance, and storytelling, ranging in topics from race and casting to falling in love with theatre, and from Henrik Ibsen to Shirley Bassey. The play is something of a variety show: some of the plays grew out of my love for live theatre, others arose from frustrations in creating, attending, or teaching it. It is...
    This is a fast-paced and fun collection of short pieces that explore various facets of theatre, performance, and storytelling, ranging in topics from race and casting to falling in love with theatre, and from Henrik Ibsen to Shirley Bassey. The play is something of a variety show: some of the plays grew out of my love for live theatre, others arose from frustrations in creating, attending, or teaching it. It is an eclectic collage in a variety of styles from realism to meta-theatre, autobiography to absurdism, parody to poignancy.
  • Jan and Joe
    Joe shares his love and respect for the late actress Jan Maxwell, bringing her back to the stage for one final conversation.
  • Hedda Helmer: Ibsenite Heroine
    This parody of Henrik Ibsen mashes up A Doll's House and Hedda Gabler, with a bit of Ghosts, Peer Gynt, and more. Hedda gets a visit from Mrs. Exposition and deals with a parade of maids all played by the same actress.
  • Mavis Rents a VHS
    In this 10-minute monologue, Mavis shares her recent discoveries regarding Anastasia Romanov, Anna Anderson, Ingrid Bergman, and the library's collection of VHS tapes.