Luke Pound is a graduate student studying psychology, public administration, and language at Clark University. A psycholinguist by trade and a writer by clever deception, he is particularly intrigued by theatrical convention, how it bends, and when it breaks. His full-length play "Flying Through Windows" received the Kennedy Center American College Theatre Festival's National Playwriting Award, Distinguished Achievement in 2022. His short play anthology "Elements," based upon Aristotle's six elements of theatre, premiered at Clark University's 2019 New Play Festival and received an honorable mention in the 2020 Loring Holmes & Ruth Dodd Drama Contest. When not writing plays, Luke is dancing on a salsa team, biking through the wilderness, or researching the impact of etymology on stereotype...
Luke Pound is a graduate student studying psychology, public administration, and language at Clark University. A psycholinguist by trade and a writer by clever deception, he is particularly intrigued by theatrical convention, how it bends, and when it breaks. His full-length play "Flying Through Windows" received the Kennedy Center American College Theatre Festival's National Playwriting Award, Distinguished Achievement in 2022. His short play anthology "Elements," based upon Aristotle's six elements of theatre, premiered at Clark University's 2019 New Play Festival and received an honorable mention in the 2020 Loring Holmes & Ruth Dodd Drama Contest. When not writing plays, Luke is dancing on a salsa team, biking through the wilderness, or researching the impact of etymology on stereotype formation.
Luke's works of inspiration include "Rosencrantz and Guildenstern are Dead" by Tom Stoppard, "Huis clos" by Jean-Paul Sartre, "En attendant Godot" by Samuel Beckett, "Much Ado About Nothing" by William Shakespeare, and "Pass Over" by Antoinette Nwandu. His two favorite Aristotelian elements are idea and language.
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