Lauriston Moss is facing the end alone. He and his AI assistant take stock of what he will leave behind, and they discover a mysterious piece of property in his name. When he arrives, it turns out to house a machine that believes it’s his long deceased mother. On his last night, can he learn the lessons of generations, and leave a positive mark on the world?

In a southern American town, two brothers pack up their childhood home to move their father, a retired sheriff suffering from dementia, to an assisted living facility. When historic flooding overtakes the house, precious things must be abandoned, old grudges bubble up, and the rushing waters deposit a victim of their father’s questionable past on their doorstep. Come High Water is a play about memory, justice, and climate change.

Francis Seton — Older of the Seton brothers on the edge of forty. Former US Army, currently works odd labor jobs. Recently divorced and trying to make the best of it.

Emmett Seton — The younger, mid thirties. Has built his life deliberately, having started from almost nothing, having left home after coming out. Works in cyber security.

Lesley Seton — Retired sheriff of a rural county. 60-something widower sliding into Alzheimers disease. People person who now struggles to read people.

Ty Reynold — Black man in the rural south, late thirties. An autodidact whose humbly ambitious life was cut short by wrongful conviction. Lives in anticipation of the starter pistol of his release date.

Sally George — Mid-twenties. Proud of her rural upbringing and will never move ten miles away from family. Redneck girl-power. Believes in service over self and America.

It’s 1986 and Gareth Miller is winning at life. He’s raking in beaucoup bucks from his record store assistant manager job, killing it selling magazines door-to-door, he has a great apartment, and somehow a beautiful genius girlfriend. He’s totally not a disgusting slob destroying his apartment building and contributing nothing. He’s exactly the person we’d want fending off an alien invasion of body-snatchers trying to save humanity from itself. PSYCH. Better Tenants is a satirical one act comedy about humanity's self-destructive tendencies and our effect on the environment.

Curator Samatha Wood has invited influencer Piper Ray to do a live event in hopes of attracting more visitors to a struggling, obscure art museum. Using AI and a Likert scale survey, the featured exhibit allows users to make changes to a painting in real time. If only the board hadn’t allowed local artist Hugo Anders to stage a protest piece alongside the exhibit. He’s going to fight back against the machines even if it kills him and the museum, too.

Mankind celebrates becoming an apex predator with a little get together, but his guests are less than enthusiastic about his approach to the new position. Apex is a short comedy about climate change and man’s effect on the planet as apex consumer.

Living with ghosts for 30-something years has left Greg a little eccentric, a little weird. In an effort to get him some more living human contact, the ghosts take out an ad renting the first floor of his grand childhood home. When the renter turns out to be a young divorcee with her 11 year old son, Tom, Greg is grumpy and the ghosts are worried. The presence of a child in the house awakens a very old danger, one that could threaten everyone's safety. Can they unravel the mystery that has plagued the house since its first inhabitants in 1883? Will they get Greg out of the house? Will Tom be safe?

In his NYC apartment, a painter completes a masterpiece and dies for the 26th time. He is found by his agent, his neighbor, and a close friend and fellow artist. They must decide how to handle the possible escape of the secret of his frequent resurrection, and what to do with his masterwork. As the morning progresses, his once assured immortality becomes a worrying question.