David Rambo

David Rambo

Plays: GOD'S MAN IN TEXAS, THE LADY WITH ALL THE ANSWERS, THE ICE-BREAKER, BABBITT, PAINT YOUR WAGON (revival book), THE TUG OF WAR, A GOOD GUY, concert adaptations of screenplays ALL ABOUT EVE, SUNSET BOULEVARD, CASABLANCA, ADAM'S RIB. Television: CSI, TINY PRETTY THINGS, CLAWS, WILL, EMPIRE, REVOLUTION, V. Film: TRACY & HEPBURN

Plays

  • THE TUG OF WAR
    The judgment of an untested president is all that stands between us and WWIII. As Soviet nuclear missiles move ever closer to Cuba, President John F. Kennedy must chart a course between conflicting counsel and unparalleled emotional stakes to prevent nuclear annihilation. The newly-minted U.S. President is put to the ultimate test in this riveting drama drawn from actual secret White House recordings of NSC...
    The judgment of an untested president is all that stands between us and WWIII. As Soviet nuclear missiles move ever closer to Cuba, President John F. Kennedy must chart a course between conflicting counsel and unparalleled emotional stakes to prevent nuclear annihilation. The newly-minted U.S. President is put to the ultimate test in this riveting drama drawn from actual secret White House recordings of NSC meetings over the 13 days that brought the world to the brink and back.
  • A GOOD GUY
    Middle school math teacher Anna Pope is the good with a gun who stops a bad guy when violence enters her classroom. In the hot glare of the aftermath of that event, Anna's life, career and motives become fair game, forcing her to fight for her place in the story, the national gun dialogue, and the only place she really wants to be: the classroom.
  • THE ICE-BREAKER
    Sonia, an ambitious, brilliant Ph.D. candidate seeks out Lawrence, the disgraced, reclusive climate scientist whose work inspired her. On a desert night, mysteries of science, wine and the relentlessly inquisitive human heart are exposed, connecting the two damaged souls for the rest of their lives.

Recommended by David Rambo

  • Art Attack
    31 Dec. 2020
    Gripping and often surprisingly funny, it poses tough questions through the all-too-relatable dilemmas of artists caught between expression and identity.