Thelma de Castro

Thelma de Castro

Thelma Virata de Castro is a Filipinx dramatist whose plays explore identity and belonging. She received a 2023 Far South/Border North grant as part of the California Creative Corp. She was a 2022 finalist for the AGE Legacy Playwright grant from Advance Gender Equity in the Arts. Penumbra was commissioned by The Old Globe Theatre in 2022 and workshopped in 2023. The TAG Project was produced by Playwrights...
Thelma Virata de Castro is a Filipinx dramatist whose plays explore identity and belonging. She received a 2023 Far South/Border North grant as part of the California Creative Corp. She was a 2022 finalist for the AGE Legacy Playwright grant from Advance Gender Equity in the Arts. Penumbra was commissioned by The Old Globe Theatre in 2022 and workshopped in 2023. The TAG Project was produced by Playwrights Project in August 2021 with support from an Artist's Grant from the William Male Foundation and a Rising Arts Leaders San Diego (RALSD) Virgil Yalong Quick Grant. "Hand Under Hand" and "The Fire in Me" were performed at Southwestern College October 2021 in a production entitled Kasama. Her interview-based work with Asian Story Theater (AST) investigated history and race within specific communities, with subjects ranging from the incarceration of Japanese Americans to contemporary mixed racial identity. In 2017 she acted as a playwright and Community Liaison for AST’s California Humanities project Halo-halo, which centered San Diego’s Filipinx stories. Additional California Humanities projects include "The Fire in Me" (Access, Inc., 2019) and Saving Stories (New Village Arts, 2021). With AST she won The San Diego Foundation’s 2018-2019 Creative Catalyst Fellowship for "The Fire in Me," which examined domestic violence in San Diego’s Filipinx community. Access Inc. awarded her the Esperanza Award for extraordinary commitment to eradicating domestic violence in San Diego County. AARP sponsored readings of "Hand Under Hand," a musical focused on Asian American caregivers (music and lyrics by Emily Rutherford). Her work was featured in The Old Globe Powers New Voices Festival (2020, 2021). Thelma received three Hedgebrook residencies (1999, 2016, 2023) and attended the A Room of Her Own Foundation retreat (2015). She founded San Diego Playwrights (2013) and serves the Dramatists Guild on the Regional Affairs Committee and as San Diego Co-Ambassador. She’s spoken to university and community college classes, and on panels at the Dramatists Guild conference (2015), Association of Writers and Writing Programs (AWP) conference (2016), Dramatists Guild Education Week (2021) and others. She’s been a contest judge for Playwrights Project and the San Diego Writing Festival’s KidsWrite! writing contest. She’s been a dramaturge (San Diego Rep, Playwrights Project) and teaching artist (Playwrights Project Out of the Yard and Write On! programs, Liberty School with San Diego Writers, Ink) and is on the Board of Directors for San Diego Writers, Ink. She attended the Kennedy Center Summer 2021 Playwriting Intensive. The San Diego Union-Tribune included her in its list of Phenomenal San Diego Women: Creators and Performers (2020).

Plays

  • Penumbra
    With the help of lunar eclipse water, three lost souls create their own mythology as they seek home and navigate time at the mouth of the San Diego River.
  • Kasama
    An evening of two one-acts, "The Fire in Me--A Theatrical Exploration of Domestic Violence in San Diego's Filipino Community" and "Hand Under Hand". The Fire in Me synopsis: A young woman’s internship at a legal clinic for immigrant survivors of domestic violence makes her confront her own trauma. Hand Under Hand synopsis: A play with music by Emily Rutherford; isolated and overwhelmed...
    An evening of two one-acts, "The Fire in Me--A Theatrical Exploration of Domestic Violence in San Diego's Filipino Community" and "Hand Under Hand". The Fire in Me synopsis: A young woman’s internship at a legal clinic for immigrant survivors of domestic violence makes her confront her own trauma. Hand Under Hand synopsis: A play with music by Emily Rutherford; isolated and overwhelmed, Jenna struggles to be a caregiver for her sick aunt. Both plays based on community interviews.
  • Botocan
    Based on the playwright’s mother’s and aunts’ memoirs. A young woman must choose between serving her family and seeking vengeance during the Japanese Occupation of the Philippines.
  • The Goddess of Flowers
    Back home from college, Flora struggles to find herself as she is haunted by the myth of a mysterious flying man.
  • The TAG Project
    Three monologues and a short scene set at the mouth of the San Diego River. "Blank Tags", "Tree Tag Part 1", "The Tree", "Tree Tag Part 2". Estuary inhabitants look to Nature for solace and belonging.
  • A Monument to Loss
    Monologue. A Japanese American woman reflects on her relationship to loss as she addresses a statue dedicated to victory in the center of her small town.
  • Every Second Monday, Odd Month
    One-act. Joe parks on the wrong side of the street and finds himself on the wrong side of the law. In a near future where sugar is illegal and poetry is banned, he experiences the arbitrary nature of the criminal justice system firsthand.
  • Flight Lessons
    One-Act. Two mothers with opposing beliefs negotiate the turbulence of friendship through the relationship of their children.
  • The Perfect Note
    One-Act. A high school custodian discovers the secret hideout of a trans girl.
  • Funeral Potatoes
    One-Act. During quarantine, Jane confronts her grief.