a.k. payne

a.k. payne

a.k. payne (she/they) is a playwright, artist-theorist, and theatermaker with roots in Pittsburgh, Pennsylvania. Their plays love on and engage the interdependencies of Black pasts, presents and futures and seek to find/remember language that might move us towards our collective liberation(s). They hold a B.A. in English and African-American Studies from Yale College and an MFA in Playwriting under Tarell Alvin...
a.k. payne (she/they) is a playwright, artist-theorist, and theatermaker with roots in Pittsburgh, Pennsylvania. Their plays love on and engage the interdependencies of Black pasts, presents and futures and seek to find/remember language that might move us towards our collective liberation(s). They hold a B.A. in English and African-American Studies from Yale College and an MFA in Playwriting under Tarell Alvin McCraney from fka Yale School of Drama. Their work has been a finalist for the L. Arnold Weissberger New Play Award and the Susan Smith Blackburn Prize. She is the current recipient of the Van Lier New Voices Fellowship, National Black Theatre’s I AM SOUL Playwrights Residency, the Kemp Powers Commission Fund for Black Playwrights and Atlantic Theater Company's Judith Champion Launch Commission. Their work has been developed with the National Playwrights Conference, The New Harmony Project, Great Plains Theater Conference, and Manhattan Theater Club's "Groundworks Lab." Their play AMANI had its World Premiere with National Black Theatre and Rattlestick Playwrights Theater in early 2023. Their play Furlough's Paradise will have its World Premiere at Alliance Theatre in early 2024. They are a proud graduate of Pittsburgh Public Schools; grandchild of the Great Migration; descendant of a music teacher and a carpenter, who both march every year with their unions in Pittsburgh’s Labor Day parade; a queer & non-binary abolitionist affected in community by the ‘New Jim Crow;” and of a great lineage of Black women storytellers and living-room archivists; all of which deeply informs, uplifts and amplifies their work as a playwright, community organizer and spacemaker.

Plays

  • Furlough's Paradise
    On a three-day furlough from prison, Sade stays with her only cousin, Mina. On a brief reprieve from her life in the West Coast, Mina returns to her hometown for her Aunt's funeral. The cousins try to make sense of grief, home, love, and kinship as time ticks towards the correctional officer's arrival.
  • Love I AWETHU Further
    Callie been dreaming bout three days in which they may call up who they be beyond Mistress’ language, box, tomb and barrel, to dream beyond Mistress’ “woman.” From her plans drawn out between tobacco rows, come a collective: her twin, her friends, her nameless mother and ancestor. In this adaptation of Julius Caesar, seven plan a revolt in the Antebellum South.
  • AMANI~ of 'The Black Space Plays'
    When Amani's mother dies, the world shakes. Her father vows to make it to outer space, where there are no gangs to take his love's life, no prisons to take Black boys' best years. Amani grows up building a rocket ship with her father. As she moves into adulthood, Amani seeks her voice and her own dreams. Will Amani make it to the 'moon'?
  • blooms
    Kim has not believed in love in a long time and the rhythm of work threatens to keep her from her dreams. Leticia has got something to say. On a Spring day, both got ten minutes before their shift at the grocery store.

  • 'TIA PRAY A SOUND
    sound and her mama, kendra, have lost a lot of memories. they gather on kendra’s back porch to try to put things back together. along the way, clowning elephants try to help sound along the journey and patriarchal shadows try to steal their dreams. can this Black mother and child witness one another by the end?
  • Dwellers
    a ship churns against the atlantic.

    on the deck
    a chorus of nine
  • BURNBABYBURN: an american dream
    The air conditioner at 1987 Apple St. been broke for a minute and it's hot in the afterlife.

    Sky II comes to her lost grandmother looking for answers; Sky has got some blues records and a bunch of poems.

    As Sky tells her grandchild her story, they find ways to live with memories and to beat the heat.

    Loosely inspired by oral histories.
  • Where Pathways Meet ~ of 'The Black Space Plays'
    Minnie and Dwight live in a world on fire. And so they take off from 'earth' with dreams of starting anew on a planet all their own. What happens to the tongues and rhythms of the once colonized and enslaved when they first taste true freedom? What happens when Minnie & Dwight's dreams and visions wither and diverge? Who remembers and who forgets?  
  • Ain't No Dead Thing
    Noa’s Ark is a diner in Greenwood District where folks come to remake the world. A queer Black woman named Noa stands at the helm and in May of 1921, no one can else can see what’s coming to threaten the streets of Greenwood. Against the backdrop of one of the largest race riots in American history, pairs of lovers try to imagine a world where they can breathe. Is peace possible in a Black future? How do we...
    Noa’s Ark is a diner in Greenwood District where folks come to remake the world. A queer Black woman named Noa stands at the helm and in May of 1921, no one can else can see what’s coming to threaten the streets of Greenwood. Against the backdrop of one of the largest race riots in American history, pairs of lovers try to imagine a world where they can breathe. Is peace possible in a Black future? How do we love with the imminence of violence?
  • EDI YA & DIAMOND'S GROVE
    Set at the edge of an old U.S. mill town, EDI YA & DIAMOND’S GROVE tells a story about two Black young people working in an amusement park dripping with ghosts. Since the late 19th century, this land has been roaring with cheap thrills and attractions—statues of calcified cowboys, laffin ladies, infinite swimming pools, dance halls and wooden coasters. Since the 19th century, when their people arrived from...
    Set at the edge of an old U.S. mill town, EDI YA & DIAMOND’S GROVE tells a story about two Black young people working in an amusement park dripping with ghosts. Since the late 19th century, this land has been roaring with cheap thrills and attractions—statues of calcified cowboys, laffin ladies, infinite swimming pools, dance halls and wooden coasters. Since the 19th century, when their people arrived from the South, this amusement park has been contested for Black peoples of this city and Edi Ya and Diamond have known of it out of the womb. These two who are becoming in this strange smoky city—knowing stories of the pool and dance hall their grandparents could not enter, knowing of long summers spent riding coasters and losing childhood— try to make sense of grief in this place of lost dreams.