Katelin Wilcox is an actor, playwright, and parent-artist based in New York City. Her play An Empty Room was an SETC Getchell New Play Award Finalist, a Parity Development Award Third-Rounder, and an Austin Film Festival Playwriting Competition Second-Rounder. Her play Hot Air was a Top 12 Finalist in the Samuel French Off Off Broadway Short Play Festival and is published and licensed by Stage Partners. Her original one-woman show The Pawnbroker, which gives voice to the many women behind playwright Bertolt Brecht’s body of work, had a critically-acclaimed run at FringeNYC and was extended as part of the Fringe Encore Series. The Pawnbroker was also produced at the United Solo Festival (NYC) and The CRY HAVOC Company (NYC), and her other work as a playwright has been produced at Blank...
Katelin Wilcox is an actor, playwright, and parent-artist based in New York City. Her play An Empty Room was an SETC Getchell New Play Award Finalist, a Parity Development Award Third-Rounder, and an Austin Film Festival Playwriting Competition Second-Rounder. Her play Hot Air was a Top 12 Finalist in the Samuel French Off Off Broadway Short Play Festival and is published and licensed by Stage Partners. Her original one-woman show The Pawnbroker, which gives voice to the many women behind playwright Bertolt Brecht’s body of work, had a critically-acclaimed run at FringeNYC and was extended as part of the Fringe Encore Series. The Pawnbroker was also produced at the United Solo Festival (NYC) and The CRY HAVOC Company (NYC), and her other work as a playwright has been produced at Blank Page Theatre (NYC), Left Edge Theatre (CA), Off-Broad Street Short Play Festival (GA), Southeast Missouri State University (MO), Sandgate Theatre (Australia), among others. Katelin was a Semi-Finalist for the WP Lab program. As an actor, favorite credits include Out of Tune (Lincoln Center Originals), Pride and Prejudice, Cymbeline (Shakespeare Theatre of New Jersey), Doubt (Public Theatre of Maine), Comedy of Errors (Vermont Shakespeare Company), Island, King John (New York Shakespeare Exchange), and realer than that (CRY HAVOC) – an award-winning play that was adapted into a program to promote dialogue about sexual assault on college campuses. She is a graduate of the University of Notre Dame, Associate Artistic Director at CRY HAVOC, and a proud member of Actors Equity and the Dramatists Guild. www.katelinwilcox.com