DREAMS ON FIRE by
It’s 2016 spring exam week, and students are rallying about the upcoming election, while an Armenian-American NJ college student is having a nervous breakdown. On his journey to recovery with his grandmother, and later, a classmate, he discovers the connection between his condition and the twentieth century’s first genocide—The Armenian Genocide. In its exploration of the transmission of trauma across...
It’s 2016 spring exam week, and students are rallying about the upcoming election, while an Armenian-American NJ college student is having a nervous breakdown. On his journey to recovery with his grandmother, and later, a classmate, he discovers the connection between his condition and the twentieth century’s first genocide—The Armenian Genocide. In its exploration of the transmission of trauma across generations, and the impact of the past on the present, the play is both universal and timely.
Projections from 1915, The Palisades of NJ, Arshile Gorky, Facing History's text, NY Times Headlines, The Turkish Coup of 2016 are part of the production, along with the melancholy sound of the dudk (Armenian wind instrument), and Katie Melua's Dreams on Fire sung by Aram.
Projections from 1915, The Palisades of NJ, Arshile Gorky, Facing History's text, NY Times Headlines, The Turkish Coup of 2016 are part of the production, along with the melancholy sound of the dudk (Armenian wind instrument), and Katie Melua's Dreams on Fire sung by Aram.