Kate Tarker

Kate Tarker

American playwright, grew up bilingually in Germany. Plays include Montag (Soho Rep., Badisches Staatstheater Karlsruhe), THUNDERBODIES (Soho Rep.), Dionysus Was Such a Nice Man (The Wilma, FoolsFURY), and Laura and the Sea (Rivendell Theatre Ensemble). Kate's plays have been developed at: The Vineyard Theatre, The Wilma, Ars Nova, New York Theatre Workshop, The Playwrights’ Center, The Lark, Soho Rep.,...
American playwright, grew up bilingually in Germany. Plays include Montag (Soho Rep., Badisches Staatstheater Karlsruhe), THUNDERBODIES (Soho Rep.), Dionysus Was Such a Nice Man (The Wilma, FoolsFURY), and Laura and the Sea (Rivendell Theatre Ensemble). Kate's plays have been developed at: The Vineyard Theatre, The Wilma, Ars Nova, New York Theatre Workshop, The Playwrights’ Center, The Lark, Soho Rep., Theatre503, and The O’Neill National Playwrights Conference, among other places. She is the recipient of a Jerome Fellowship, The Vineyard’s Paula Vogel Playwriting Award, and Theater Masters’ Visionary Playwright Award. She is currently under commission from Playwrights Horizons and Theater Masters. Tarker has completed residencies at MacDowell Colony, Tofte Lake Center, and SPACE at Ryder Farm. Kate has also been published in The Paris Review and in the McSweeney’s anthology, I Know What’s Best For You: Stories on Reproductive Freedom.
BA Reed College. MFA Yale School of Drama.

Plays

  • MONTAG
    Faith and Novella are fun-loving, thirty-something besties living in a tiny German town near a U.S. military base. Typically they spend their nights clubbing, but tonight, in Novella’s basement apartment, they’re practicing some unusual combat drills–armed with wine, potato chips, and the very best speakers they can afford.
  • LAURA AND THE SEA
    It’s company outing day, and Laura, one of the top travel agents of her generation, is quite possibly having both the best and worst day of her life. So much so that she decides to end it all. Afterwards, her colleagues try to piece things together on a memorial blog, but how do you mourn someone you didn’t know that well?

    A darkly funny drama about living and dying in the age of digital intimacy.
  • DIONYSUS WAS SUCH A NICE MAN
    When a far-out family of shepherds on the outskirts of the Corinthian suburbs learn their adopted son Oedipus has ascended the throne of Thebes, they plan a bender to end all benders. But who’s on cleanup after the party’s over? Equal parts irreverent comedy and emotional journey into family and societal dysfunction, this play examines with horror and humor the lasting effects of buried trauma.
  • THUNDERBODIES
    The war is finally over. General Michail proposes to Grotilde—so she skips ahead and plans the inevitable, but festive, divorce. Meanwhile, the weather is playing tricks on people, as is The President, and Grotilde's son won't accept the armistice. In this comedy of no manners, everyone is normible (both normal and terrible all at once).
  • GOD IS DEAD, LET'S MAKE LOVE
    Nina reallllly likes Scott. Scott reallllly likes Nina. Scott is super happily married to Meg. Meg is super happily seeing other people. There’s a Google Document with some simple rules to keep everyone sane. Nina doesn’t have permission to edit it.

    A wild romp through the power dynamics and deepest yearnings of three clueless explorers of distinctly American non-monogamy.