Evren Odcikin

EVREN ODCIKIN is a San Francisco-based director and producer. He has worked at South Coast Rep, the Lark (NYC), NNPN Showcase, Magic Theatre, Golden Thread Productions, Crowded Fire, Cutting Ball, Aurora Theatre, Impact Theatre, foolsFURY, and Playwrights Foundation with such writers as Mona Mansour, Yussef El Guindi, Kevin Artigue, Eugenie Chan, Christopher Chen, Frances Ya-Chu Cowhig, Prince Gomolvilas, Garret Groenveld, David Jacobi, Nick Nanna Mwaluko, and Torange Yeghiazarian, amongst many others. He is the Director of New Plays and Marketing at Golden Thread Productions, where he leads all new play activities, including the annual New Threads reading series.

EVREN ODCIKIN is a San Francisco-based director and producer. He has worked at South Coast Rep, the Lark (NYC), NNPN Showcase, Magic Theatre, Golden Thread Productions, Crowded Fire, Cutting Ball, Aurora Theatre, Impact Theatre, foolsFURY, and Playwrights Foundation with such writers as Mona Mansour, Yussef El Guindi, Kevin Artigue, Eugenie Chan, Christopher Chen, Frances Ya-Chu Cowhig, Prince Gomolvilas, Garret Groenveld, David Jacobi, Nick Nanna Mwaluko, and Torange Yeghiazarian, amongst many others. He is the Director of New Plays and Marketing at Golden Thread Productions, where he leads all new play activities, including the annual New Threads reading series.

Recommended by

  • RED BIKE is a uniquely timely play with a big imagination that explores the idea of class in modern American society through the eyes of a young child. Like the best of Caridad's work, I was taken by the poetic theatrical language that felt grounded and accessible. I especially love the fact that the play leaves a lot for interpretation (can be cast with any race or gender, and can be a solo show or divided amongst a number of actors).

    RED BIKE is a uniquely timely play with a big imagination that explores the idea of class in modern American society through the eyes of a young child. Like the best of Caridad's work, I was taken by the poetic theatrical language that felt grounded and accessible. I especially love the fact that the play leaves a lot for interpretation (can be cast with any race or gender, and can be a solo show or divided amongst a number of actors).