Eulàlia Comas

Eulàlia Comas (she/her) is a theater practitioner based in Brooklyn, NY with roots in Barcelona and PA’s Susquehanna Valley. She is a director, writer, designer, and dramaturg of new and devised works, as well as one half of noise theater duo laialeah with playwright and performer Leah Plante-Wiener.

Laia was Production Fellow at The Brick Theater, where she worked on 13 productions in their 23-24 OBIE winning season as a director, designer, stage manager, and technical coordinator. Her play Questions that have Answers was a semi-finalist for the 2024 Terrence McNally New Works Incubator at Rattlestick Theater. She is also a founding co-curator of the website Staff Picks.

Her original performance work has been curated by Exponential Festival, !?:New Works, SalOn!, CATCH Performance...

Eulàlia Comas (she/her) is a theater practitioner based in Brooklyn, NY with roots in Barcelona and PA’s Susquehanna Valley. She is a director, writer, designer, and dramaturg of new and devised works, as well as one half of noise theater duo laialeah with playwright and performer Leah Plante-Wiener.

Laia was Production Fellow at The Brick Theater, where she worked on 13 productions in their 23-24 OBIE winning season as a director, designer, stage manager, and technical coordinator. Her play Questions that have Answers was a semi-finalist for the 2024 Terrence McNally New Works Incubator at Rattlestick Theater. She is also a founding co-curator of the website Staff Picks.

Her original performance work has been curated by Exponential Festival, !?:New Works, SalOn!, CATCH Performance Series, Night Coffee, and Limefest; past work at Lenfest Center for the Arts, The Performing Garage, The Brick Theater, Chocolate Factory Theater, Loading Dock Theatre, Wesleyan Center for the Arts, Pear Tree Alley Theater, La Mama Galleria, The Tank, The Vino Theater, The Workshop Theater, among others. She received her BA in religion from Wesleyan University and is currently pursuing graduate clinical training in drama therapy at NYU Steinhardt.

She lives in Bushwick with her wife and cat.

Scripts

haircut play :€

by Eulàlia Comas

Synopsis

girl wants a haircut and no one will do it.

girl wants a haircut and no one will do it.

Is it real ? Yes it is !

by Eulàlia Comas

Synopsis

a pair of deserting police soldiers interrupt a final surgery during the last moments of a collapsing regime. no one is left unused.

a pair of deserting police soldiers interrupt a final surgery during the last moments of a collapsing regime. no one is left unused.

Questions that have Answers

by Eulàlia Comas

Synopsis

Lucy experiences persistent overstimulation of her sight and proprioception. Elizabeth wants a child, but cannot manage. Dr. Baskanios thinks the modern theory of sight is dangerously misguided. They all tell themselves stories to make sense of their surroundings. Some stories come true. Some have been true all along. Some still happen, but don't have a lick of truth about them. Then, the grotesque fairy arrives...

Lucy experiences persistent overstimulation of her sight and proprioception. Elizabeth wants a child, but cannot manage. Dr. Baskanios thinks the modern theory of sight is dangerously misguided. They all tell themselves stories to make sense of their surroundings. Some stories come true. Some have been true all along. Some still happen, but don't have a lick of truth about them. Then, the grotesque fairy arrives.

atelier

by Eulàlia Comas

Synopsis

angela and a child try to speak over each other. the child builds a pillow fort while angela tries to fix a soteriological radio.

angela and a child try to speak over each other. the child builds a pillow fort while angela tries to fix a soteriological radio.

I cannot tell

by Eulàlia Comas

Synopsis

Queen Mary delivers her speech in a packed queer nightclub as the night's entertainment careens about. Strap ons prevail.

Queen Mary delivers her speech in a packed queer nightclub as the night's entertainment careens about. Strap ons prevail.

Saltbees: or, An Informative—no! Performative Essay in Three Parts Inclusive of an Analog Prologue between Myself and the Audience in which we Lay the Flagstones of Artifice in order to proceed into a Hermeneutical Exegesis of an Excerpted Portion of Yh

by Eulàlia Comas

Synopsis

There is an expansive mystical world that does not have a name (it does have a name shhhh) where they worship bees. We won’t tell you about it at all (we will a little), but we’re freaking out and we’ve been given a stage to freak out on (not in the contract [there is no contract]). The title is a lie—so is the show. It’s actually about friendship now.

There is an expansive mystical world that does not have a name (it does have a name shhhh) where they worship bees. We won’t tell you about it at all (we will a little), but we’re freaking out and we’ve been given a stage to freak out on (not in the contract [there is no contract]). The title is a lie—so is the show. It’s actually about friendship now.

The Beast: a post-modern tragicomic medieval romance for the stage

by Eulàlia Comas

Synopsis

A retelling of Saint George slaying the dragon in which evolutionary biologist Lynn Margulis lectures the audience for the entirety of the show.

A retelling of Saint George slaying the dragon in which evolutionary biologist Lynn Margulis lectures the audience for the entirety of the show.

The Book of Chrysanthemum

by Eulàlia Comas

Synopsis

“As the Farm Representative addresses the audience, Rabia rewrites the Bible while Chrysanthemum prepares to leave” reads a stage direction from the upcoming world premier production of The Book of Chrysanthemum. The play follows three characters who live in a post-post-post-post apocalyptic world run by a mysterious entity called The Academy, a place we never see. The Farm Representative oversees all activity...

“As the Farm Representative addresses the audience, Rabia rewrites the Bible while Chrysanthemum prepares to leave” reads a stage direction from the upcoming world premier production of The Book of Chrysanthemum. The play follows three characters who live in a post-post-post-post apocalyptic world run by a mysterious entity called The Academy, a place we never see. The Farm Representative oversees all activity on the Farm, where all our action takes place, and reports back to The Academy. Rabia and Chrysanthemum are workers on the Farm, where they help to harvest typewriter parts from the endless orchards which are then shipped off to The Academy on blimps to be used for…something. One day, two strange documents fall from a passing blimp and Rabia and Chrysanthemum find them. They get unwittingly swept up into the plans of those in charge, and their lives become more and more altered as they each try to take flight and rise above the mayhem of a partially rebuilt world. As the stage direction states, all that happens in the play is that the Farm Representative addresses the audience, Rabia rewrites the Bible, and Chrysanthemum prepares to leave.

Content Warnings:

Discussion of death, Brief mention of suicide

Dionysus

by Eulàlia Comas

Synopsis

I sat in a café somewhere in Lower Manhattan and wrote down my thoughts in a stream-of-consciousness way. I was also eavesdropping on the two women sitting next to me as they had a conversation about their lives. From what I could gather, it had been some time since they had last seen each other. Their conversation slowly began to find its way into my writing, and vice versa. Just kidding, they had no idea I was...

I sat in a café somewhere in Lower Manhattan and wrote down my thoughts in a stream-of-consciousness way. I was also eavesdropping on the two women sitting next to me as they had a conversation about their lives. From what I could gather, it had been some time since they had last seen each other. Their conversation slowly began to find its way into my writing, and vice versa. Just kidding, they had no idea I was writing their words down. What follows is a transcription of the amalgamation of my thoughts and their words.