Eulàlia Comas

Eulàlia Xavier Comas (she/they) is a multi-disciplinary theater artist and educator based in Brooklyn, NY with roots in Barcelona and PA’s Susquehanna Valley. She is a director, designer, writer, and steward of storytelling processes who tells stories about people who invent words and worlds for survival.

They are the School Partnerships Co-Program Manager at Girl Be Heard!, managing a combined total of 8 after-school arts-based curricular residencies. They are also the Producing Fellow at The Brick Theater, and she is a founding co-curator of the website Staff Picks, a community-building platform for shorter-run shows and live events in the NYC area (for which she also built and maintains the website).

Laia’s work (or her performing body) has been presented or developed at Riverstage...

Eulàlia Xavier Comas (she/they) is a multi-disciplinary theater artist and educator based in Brooklyn, NY with roots in Barcelona and PA’s Susquehanna Valley. She is a director, designer, writer, and steward of storytelling processes who tells stories about people who invent words and worlds for survival.

They are the School Partnerships Co-Program Manager at Girl Be Heard!, managing a combined total of 8 after-school arts-based curricular residencies. They are also the Producing Fellow at The Brick Theater, and she is a founding co-curator of the website Staff Picks, a community-building platform for shorter-run shows and live events in the NYC area (for which she also built and maintains the website).

Laia’s work (or her performing body) has been presented or developed at Riverstage Theater Company, STC, The Performing Garage, The Brick Theater, 92 Theater, Wesleyan Center for the Arts, Pear Tree Alley Theater, Mariah’s Garden @ Pear Tree Alley Theater, asynchronously on Zoom, Olin Memorial Library, La Mama Galleria, The Tank, The Vino Theater, Theater Row, and The Workshop Theater. She was a Winter Resident Artist 2023 with Uncool Artists.

As a composer, she was nominated for Best Original Music at QIFF for the short film “A Month Apart” (Reformat Studios, 2020), and her debut soundtrack album is out this year for the film “Understory” (Reformat Studios, 2022). They graduated from Wesleyan University with a degree in Religion and currently reside in Bushwick with her cat Auggie (short for Pre-Agrarian Society).

Scripts

Questions that have Answers

by Eulàlia Comas

Synopsis

Lucy experiences persistent overstimulation of her sight and proprioception. Elizabeth wants a child, but cannot manage. Dr. Baskanios thinks the modern theory of sight is dangerously misguided. They all tell themselves stories to make sense of their surroundings. Some stories come true. Some have been true all along. Some still happen, but don't have a lick of truth about them. Then, the grotesque fairy arrives...

Lucy experiences persistent overstimulation of her sight and proprioception. Elizabeth wants a child, but cannot manage. Dr. Baskanios thinks the modern theory of sight is dangerously misguided. They all tell themselves stories to make sense of their surroundings. Some stories come true. Some have been true all along. Some still happen, but don't have a lick of truth about them. Then, the grotesque fairy arrives.

haircut play :€

by Eulàlia Comas

Synopsis

girl wants a haircut and no one will do it.

girl wants a haircut and no one will do it.

atelier

by Eulàlia Comas

Synopsis

angela and a child try to speak over each other. the child builds a pillow fort while angela tries to fix a soteriological radio.

angela and a child try to speak over each other. the child builds a pillow fort while angela tries to fix a soteriological radio.

I cannot tell

by Eulàlia Comas

Synopsis

Queen Mary delivers her speech in a packed queer nightclub as the night's entertainment careens about. Strap ons prevail.

Queen Mary delivers her speech in a packed queer nightclub as the night's entertainment careens about. Strap ons prevail.

Saltbees: or, An Informative—no! Performative Essay in Three Parts Inclusive of an Analog Prologue between Myself and the Audience in which we Lay the Flagstones of Artifice in order to proceed into a Hermeneutical Exegesis of an Excerpted Portion of Yh

by Eulàlia Comas

Synopsis

There is an expansive mystical world that does not have a name (it does have a name shhhh) where they worship bees. We won’t tell you about it at all (we will a little), but we’re freaking out and we’ve been given a stage to freak out on (not in the contract [there is no contract]). The title is a lie—so is the show. It’s actually about friendship now.

There is an expansive mystical world that does not have a name (it does have a name shhhh) where they worship bees. We won’t tell you about it at all (we will a little), but we’re freaking out and we’ve been given a stage to freak out on (not in the contract [there is no contract]). The title is a lie—so is the show. It’s actually about friendship now.

The Beast: a post-modern tragicomic medieval romance for the stage

by Eulàlia Comas

Synopsis

A retelling of Saint George slaying the dragon in which evolutionary biologist Lynn Margulis lectures the audience for the entirety of the show.

A retelling of Saint George slaying the dragon in which evolutionary biologist Lynn Margulis lectures the audience for the entirety of the show.

The Book of Chrysanthemum

by Eulàlia Comas

Synopsis

“As the Farm Representative addresses the audience, Rabia rewrites the Bible while Chrysanthemum prepares to leave” reads a stage direction from the upcoming world premier production of The Book of Chrysanthemum. The play follows three characters who live in a post-post-post-post apocalyptic world run by a mysterious entity called The Academy, a place we never see. The Farm Representative oversees all activity...

“As the Farm Representative addresses the audience, Rabia rewrites the Bible while Chrysanthemum prepares to leave” reads a stage direction from the upcoming world premier production of The Book of Chrysanthemum. The play follows three characters who live in a post-post-post-post apocalyptic world run by a mysterious entity called The Academy, a place we never see. The Farm Representative oversees all activity on the Farm, where all our action takes place, and reports back to The Academy. Rabia and Chrysanthemum are workers on the Farm, where they help to harvest typewriter parts from the endless orchards which are then shipped off to The Academy on blimps to be used for…something. One day, two strange documents fall from a passing blimp and Rabia and Chrysanthemum find them. They get unwittingly swept up into the plans of those in charge, and their lives become more and more altered as they each try to take flight and rise above the mayhem of a partially rebuilt world. As the stage direction states, all that happens in the play is that the Farm Representative addresses the audience, Rabia rewrites the Bible, and Chrysanthemum prepares to leave.

Content Warnings:

Discussion of death, Brief mention of suicide

Dionysus

by Eulàlia Comas

Synopsis

I sat in a café somewhere in Lower Manhattan and wrote down my thoughts in a stream-of-consciousness way. I was also eavesdropping on the two women sitting next to me as they had a conversation about their lives. From what I could gather, it had been some time since they had last seen each other. Their conversation slowly began to find its way into my writing, and vice versa. Just kidding, they had no idea I was...

I sat in a café somewhere in Lower Manhattan and wrote down my thoughts in a stream-of-consciousness way. I was also eavesdropping on the two women sitting next to me as they had a conversation about their lives. From what I could gather, it had been some time since they had last seen each other. Their conversation slowly began to find its way into my writing, and vice versa. Just kidding, they had no idea I was writing their words down. What follows is a transcription of the amalgamation of my thoughts and their words.