Mark Pracht

Mark Pracht

Mark Pracht was raised near Colorado Springs, Colorado, and graduated from the University of Nebraska, Kearney. He is also an actor, director, and playwright. Favorite roles include McMurphy in ONE FLEW OVER THE CUCKOO'S NEST with Open Eye Productions, Milt Shanks in THE COPPERHEAD with City Lit Theatre, Lanfield in BLIZZARD ’67 at 16th Street Theatre (2017 Equity Jeff Nomination for Best Ensemble). He...
Mark Pracht was raised near Colorado Springs, Colorado, and graduated from the University of Nebraska, Kearney. He is also an actor, director, and playwright. Favorite roles include McMurphy in ONE FLEW OVER THE CUCKOO'S NEST with Open Eye Productions, Milt Shanks in THE COPPERHEAD with City Lit Theatre, Lanfield in BLIZZARD ’67 at 16th Street Theatre (2017 Equity Jeff Nomination for Best Ensemble). He also portrayed "Mountain" McClintock in REQUIEM FOR A HEAVYWEIGHT with The Artistic Home, for which he received Best Performance in a Principal Role at the 2019 Non-Equity Joseph Jefferson Awards.

His short plays have been produced by Chicago companies like Strangeloop Theatre, and His full-length play NEON was presented by The Shelterbelt Theatre in Omaha, NE. Currently, he is working on "The Four-Color Trilogy," a series of plays about the history of the comic book industry. The first play in this trilogy, THE MARK OF KANE, was presented by City Lit Theatre in the Fall of 2022 to great acclaim.

Plays

  • The Mark of Kane
    Part one of the Four-Color-Trilogy.

    In 1939, two young friends huddled in a Bronx apartment and created a legend. A hero who represents an enduring chapter in the tale of the American comic book. One, Bob Kane, would profit from that legend for years to come, and the other would be all but forgotten. This is the legacy of the mark of Kane.
  • The Innocence of Seduction
    Part Two of the Four-Color Trilogy

    In the 1950's the comic book industry faced its greatest foes, not costumed crooks or dastardly gangsters, but the combined forces of psychiatrists, politicians, and the industry's demand for fear-based conformity. In this turbulent time, those who spoke in defense of artistic freedom were the most ill-suited to the task, and those with no power at all...
    Part Two of the Four-Color Trilogy

    In the 1950's the comic book industry faced its greatest foes, not costumed crooks or dastardly gangsters, but the combined forces of psychiatrists, politicians, and the industry's demand for fear-based conformity. In this turbulent time, those who spoke in defense of artistic freedom were the most ill-suited to the task, and those with no power at all found their dreams and careers torn away.
  • The House of Ideas
    Part Three of the Four-Color Trilogy

    Marvel Comics is now a multimedia juggernaut, dominating pop culture in nearly all forms. This universe of flawed heroes and cosmic adventures began with two middle-aged men, veterans of the comic book industry. Given a mandate to copy the success of the Distinguished Competition, Stan Lee found a way to transcend the junk culture ghetto of "children...
    Part Three of the Four-Color Trilogy

    Marvel Comics is now a multimedia juggernaut, dominating pop culture in nearly all forms. This universe of flawed heroes and cosmic adventures began with two middle-aged men, veterans of the comic book industry. Given a mandate to copy the success of the Distinguished Competition, Stan Lee found a way to transcend the junk culture ghetto of "children's magazines," while Jack Kirby created an outlet for his wild and extravagant visions of gods and cosmic upheaval. Yet, as time wore on, neither could fully understand the needs, pains, or point of view of the other. A tale of ego and jealousy, and the creation of the house of ideas.
  • Protected
    After years of deep seated fears, Alvin has finally screwed up his courage enough to ask Shelly for her hand in marriage. But the reveals of the depths of his terror, and reasoning for constantly wearing a football helmet, will be hard to overcome.
  • Evening Proposition
    Eddie is an old pro, and what he sees in Pete makes him think that they could be a hell of a couple.
  • 30 Pieces
    Two musicians attempt to create their own moment at the fabled "crossroads," and. when an old man does appear, the value of art for art's sake is rewarded.