Olivia Haller

Olivia Haller

Olivia Haller is a DC-based playwright, actor, dramaturg, and producer. She was the National New Play Network (NNPN) Producer in Residence at Woolly Mammoth during their 16-17 season, and currently serves as the Connectivity Director of Convergence Theatre. Her play THIS IS ALL JUST TEMPORARY received its world premiere as a part of the 2018 Women's Voices Theater Festival in DC. Her short plays have also...
Olivia Haller is a DC-based playwright, actor, dramaturg, and producer. She was the National New Play Network (NNPN) Producer in Residence at Woolly Mammoth during their 16-17 season, and currently serves as the Connectivity Director of Convergence Theatre. Her play THIS IS ALL JUST TEMPORARY received its world premiere as a part of the 2018 Women's Voices Theater Festival in DC. Her short plays have also been seen at Keegan Theatre, Rorschach Theatre, and Nu Sass Productions. Education: BFA in Theatre Arts from Boston University.

Plays

  • Loneliness Was A Pandemic
    Robots have finally advanced enough to realize they can do everything better than humans - except make art. The robots have done away with all humans except for a select few artists. When one human is tasked with teaching a robot how to paint, they grapple with the question of whether such a thing is possible, and whether they would want to do it at all. If the robots can feel, would they show compassion...
    Robots have finally advanced enough to realize they can do everything better than humans - except make art. The robots have done away with all humans except for a select few artists. When one human is tasked with teaching a robot how to paint, they grapple with the question of whether such a thing is possible, and whether they would want to do it at all. If the robots can feel, would they show compassion towards humans? Or is the human's need for companionship more important than their survival?
  • This Is All Just Temporary
    Lauren, a recent college grad, moves back in with her parents while she looks for a job. However, the behavioral aggression of Noah, Lauren’s adult brother with autism, is severely increasing. Lauren struggles between her desire to move away to build her own life and the urgent need to help her family in a time of crisis.

    This play received its world premiere as a part of the 2018 Women's...
    Lauren, a recent college grad, moves back in with her parents while she looks for a job. However, the behavioral aggression of Noah, Lauren’s adult brother with autism, is severely increasing. Lauren struggles between her desire to move away to build her own life and the urgent need to help her family in a time of crisis.

    This play received its world premiere as a part of the 2018 Women's Voices Theater Festival in Washington, DC.
  • I Don't Know What's Weird
    Two women meet in the waiting room of a fancy hotel spa. One is naked, one is not.
    One woman has a problem with the fact that the other is naked, and the other woman has a
    problem with that. One woman is set on fire. In the end, there is understanding.
  • #TEAMPUSSY
    Three friends on a Skype date are able to talk about sex without judgment. They uncover truths about themselves, their anatomy, and their relationships that they wouldn’t have realized without the support of genuine friends.
  • SUBMARINE
    Two marine biologists bolster each other through life's challenges, namely IBS, relationship drama, and shark attacks.
  • PYGMALIA
    PYGMALIA is an adaptation of the Pygmalion myth and features a young woman as both the sculptor figure and the thing being sculpted. The protagonist Cassandra is a freshman at a visual arts college and is attempting to craft her own identity both in response to her own impulses and in response to her environment - often opposing forces. Throughout the play, she converses with an imaginary entity called Pat, who...
    PYGMALIA is an adaptation of the Pygmalion myth and features a young woman as both the sculptor figure and the thing being sculpted. The protagonist Cassandra is a freshman at a visual arts college and is attempting to craft her own identity both in response to her own impulses and in response to her environment - often opposing forces. Throughout the play, she converses with an imaginary entity called Pat, who is both a physical manifestation of her anxiety and a representation of the patriarchy. Pat forces her to confront her past memories in an effort to influence how she behaves in the present. The play ends with a message that affirms female friendship and being true to the discovery of your genuine self - seeking acceptance but not approval.
    Production photos from the BU CFA student production: http://www.hpburke.com/pygmalia.html